Font name (Supplier) Font Class 1st Type Code 2nd Type Code Designer - Year Notes
Heloisa (UT) T 1 1 Victor De Castro -1997 Comes in 3 weights with italics
Metanoia (Baar) T 1 1 Lutz Baar like Sophia (Baar) with greater x-height
Nora (IT) H 1 1
Sophia (Baar) T 1 1 Lutz Baar Serif on J; M considered type 1; G considered type 1
Flora (IT) D 1 6 like italics
Priori Sans Alt (EM) D 1 17 many odd shapes; comes in 2 weights
Zucca Sans (UT) T/H 1 21 Victor De Castro -1997 "M crotch not quite to baseline; M, Y concave curves; y has rounded bowl; comes in 2 weights with italics."
Conde (UT) D 1 25 Victor De Castro -1997 "comes in 3 weights, with oblique italics."
Pump (Let/E+F) D 1 29 See Bauhaus-style
Alvarus (UT) T/D 2 1 Victor De Castro -1997 "Comes in 4 weights plus ""Shine"" display version, each with italics"
London Black (OL) T 2 1
Arta (Let) T 2 2
Arturis (UT) H 2 2 Victor De Castro -1997 comes in 3 weights with italics
Harry Obese Squeezed (RR) D/T 2 5 rounded points; heavyweight; curved bowl on y; see Bauhaus-style Guide
Saint Louis (RR) D/T 2 5 "M, N like lower case; R tail curves upward; A rounded; sides of V, W curved"
Bonnick (UT) T 2 9 Victor De Castro -1997 Also has condensed version; both come in 3 weights with oblique italics.
Newt (GF) T 2 11 "GarageFonts (DGWT); bent spurs on many lower case; serif on I,J"
Advert (FF) T 2 14
Gerstner (BE) D 2 21
Prosper (AG) D 2 21 squared; N like large n
Lexikos (Let) T 2 27 Compressed
Bolt Bold (IT) T 2 29 "squared, heavy; f below baseline"
Lichtwerk (LL) D 2 29 "squared, compressed"
Modernique (AG) D 2 29 very heavy vertical strokes;R leg angled (curved) on right edge
Triplex Sans (EM) t 3 2
Agenda (URW) T 3 5 small wedge semiserif [not same as Agenda (FB)]
Souvenir Gothic (BE) T 3 31 "curved sides on v, w, y"
Asphalt (FB) D 3 33 some letters tilted; ultraheavy
Munik Sans (UT) T 3 33 Victor De Castro -1997 comes in 3 weights with italics
Stedge Sans (UT) T 3 33 Victor De Castro -1997 comes in 3 weights with italics
Kurosawa Sans (T26) T 3 34 slight slope to e bar
Neue Neuland (TF) D/T 3 34
Binner Poster (MT) D 3 35 Uneven M; R has upturned tail
Quinte Sans Black (UT) D 3 35 Victor De Castro -1997 Squared letters; strokes round
Digital Sans (E+F) D 3 37
Roslyn Gothic (LP/AG) D 3 39 ignores slight M splay
Ziano (UT) T 3 41 Victor De Castro -1997
Oculus (Psy) D 3 45 "odd hook on j, g, & f; 'eroded' look to many letters"
Clearface Gothic (AD/BE/MT) T 3 47
Burghley (PN/AG) H 3 57
Comedy (Let) D 3 63 Letraset (UK); letters wider at top
Rubino Sans (ICG) D 4 1 shows design 'structure'; Fill version omits 'structure'
TheMix (LF) T 4 6 Semisans
Fedra Sans (TQ) T 4 9 "J, f below baseline; b has open bowl"
Lucida Sans (BH/AG) T 4 9
Tarbone (UT) T 4 9 Victor De Castro -1997 "comes in 2 weights and inline version, all with italics."
Culpepper (GD) H/D 4 10 George Ryan - 2002 "unusual open-bowl g; comes in 3 weights, each with SC version"
Transfer Sans (Psy) T/D 4 13 "serifs on I, I, J, j; k with loop; Y has squared bowl"
Lucida Sans Typewriter (BH/AG) T 4 15
Antique Olive (AD) T 4 33
Balance (FF) T 4 33
Dasilva (UT) T 4 33 Victor De Castro -1997 Comes in 3 weights with italics
Green (IT) H 4 33
Mckay (UT) T 4 33 Victor De Castro -1997 small wedge serifs
Nanus Sans (UT) T 4 33 Victor De Castro -1997 comes in 2 weights with italics
Wagner Sans (UT) D 4 33 Victor De Castro -1997 "Squared; comes in 2 weights, each with italics"
Aperto (AG/Psy) T 4 34
Evo (BE) T 4 34
Skia (Apple) T 4 34 Mac system font
Solosans (Brassfonts) T 4 34 Brassfonts.de f crossbar only on left; half crossbar on t
Solpera (ST) T/D 4 34 Very small serifs; Multiple weights & Italics & OSF; Considers R as type 1
Tempus Sans (IT) H 4 34
Oz Poster (A*I) T 4 35
Philos (Baar) T 4 35 Lutz Baar y slightly curved; G considered type 1; serif on J
Pompeia (UT) D 4 35 Victor De Castro -1997 "Angled curves to C, E, G, O, Q"
Spitz (LL) D 4 35 compressed
Argo (DTL) T 4 37
Praxis (E+F) T 4 37
Liant (FF) D 4 38 squared counters with curved sides
Orange (IT) H 4 40
Fishmonger (Suitcase) T 4 41 comes in 5 weights and widths
Torniai Sans Light (UT) T 4 41 Victor De Castro -1997 comes in 5 weights with italics; heavier weights have type 4 R
Memo (AG) T 4 42 small wedge serifs
Solpera (ST) T/D 4 42 Very small serifs; Multiple weights & Italics & OSF; Considers R as type 2
Locator (Proc) T 4 43 "serif on J, curved l"
Quinte Sans (UT) D 4 43 Victor De Castro -1997 Squared letters; strokes round
Cocon (FF) H 4 45
Stone Sans (IT) T 4 45
Thordis Sans (E+F) T 4 45 "serifs on i, I, l, j, J"
Augustal Cursiva (AG) T 4 50
Nashua (UT) D 4 52 Victor De Castro -1997 Caps like 'Irvin' ('New Yorker' type); comes in 3 weights with italics
Quanta (A*I) T 4 57
Torniai Sans Black (UT) T 4 57 Victor De Castro -1997 comes in 5 weights with italics; lighter weights have type 2 R
Solpera (ST) T/D 4 58 Very small serifs; Multiple weights & Italics & OSF; Consider R as type 4
Akimbo (TF) D 4 61 letters made from lines and arcs
Cocon (FF) H 4 61
Foundry Form Sans (QS) T 4 61 Considers M not splayed
Foundry Journal (QS) T 4 61 Considers M not splayed
Freeman (T26/DF) D 4 61 centerlines on M & N; several weights (Black shown)
Gravel (DF) D 4 61 M & N like lower case; many rounded shapes
Hexatype (LL) D 4 61 strokes made from hexagonal segments
Tekno (NX) D 4 61 "M, N like large m,n; letters angular"
Quay Sans (IT) T 4 62
Tabula (IT) T 4 62 counters slightly squared
Comic Sans (MS) H 5 2
Printhouse (HI) H 5 2
Ruzicka Freehand (LL/AD) H 5 2 "slight slant to letters; y has curved bowl, straight tail"
Felt Tip Roman (AG) H 5 3
Mercurius (AG) H 5 6
Capone (PN/AG) D 5 7 See Bauhaus-style
Sassoon Infant (MT) T 5 7 y curved bowl; f curves below baseline; J has serif; some l.c. letters with tails
Sassoon Sans (MT) T 5 7 y curved bowl; f curves below baseline
Bauhaus (IT) D 5 26 See Bauhaus-style
Avant Garde Gothic (IT) T 6 1
Neuzeit BQ (BE) T 6 1 Serif on J
Neuzeit Grotesk T (URW) T 6 1 serif on J
Sharktooth (Msi) D 6 1 lower case letters have 'shark-tooth' profiles & tear-shaped counters
Century Gothic (MT) T 6 2
Futura (AD) T 6 2
Litera (E+F) D 6 2 serif on J
Orbit (LL) D 6 2 one dot somewhere on 'path' of each letter
Renner Bold ArchiType (QS) D 6 2 multiple l.c. variants from Futura
Spartan Classified (AD) T 6 2 straight j; descenders barely below baseline; R ambiguous
Twentieth Century (MT) T 6 2
VAG Rounded (AD) T 6 2 Rounded strokes
Vega (SG) T 6 2
Akzidenz Grotesk Schoolbook (BE) T 6 3
Graphite (FB) H 6 3
AdHoc (LL) H 6 6
Charon (LL) H 6 6 tear-shaped bowls on l.c. letters
Fontoon (IT) H 6 7
Hotelmoderne (TF) D 6 7 e like c with line
Xctasy Sans (RR) D 6 7 See Bauhaus-style Guide
Fontoon (IT) H 6 8
Flyer (E+F) T 6 9
Grotesk N Digi (E+F) T 6 9
Spartan Classified (AD) T 6 10 straight j; descenders barely below baseline; R ambiguous
Hermes (FB) T 6 11
Camo Sans (T26/IDK) D 6 13 Stencil style
Y2K-Neophyte (KH) D 6 13 Koen Hachmang
Broadband (ICG) D 6 15 e like c with line; very similar to Insignia (AD)
Insignia (AD) D 6 15 Slightly similar to Broadband; normal S
Insignia Alt (AD) D 6 15 Similar to Broadband (ICG); angled S
Banjoman (AG) D 6 24 See Bauhaus-style
Case150903-Saturn (AG/CAP) D 6 25 "F, M, N, W, Y like l.c.; backwards tail on g; uneven strokes"
Horatio (E+F) D 6 29 See Bauhaus-style
Puritas (LL) D 6 29 "comes in three weights, each with an italic; dots are partial circles on 2 lightest weights; curved l; curved bowl on y; serif on J; M, N, U, W & Y like l.c.; uneven strokes give appearance of tilt to right"
Raleigh Gothic [ATF] Alt. (PN/AG) D 6 29 "squared; M, N, W & Y like lowercase; A rounded; S is curvy, not angular as in Regular version (See D 8-35)"
Raincheck (TF) D 6 31 e like c with line
Placard (MT) T 6 32
Bernhard Fashion (AG) D 6 n/a very low x-height
Spidercave (Let) D 7 7 Letraset (UK); semiserif; rectangular counters; bold vertical strokes
Escript (LL) H 7 37
Tekton (AD) H 7 37
Hotelmoderne Calligraphic (TF) D 7 39 e like c with slanted e-bar
Jacoby (NX/AG) H 7 61 N like large n
Method (LL) D 7 61 G is ambiguous
Duhamel (UT) D 7 63 Victor De Castro -1997 Some normally straight parts of letters are curved; comes in 3 weights with italics; condensed version has 2 weights and italics
Popowitz Sans (UT) D 7 63 Victor De Castro -1997 Oblong shapes; comes in 3 weights with italics
Zetron Sans (UT) D 7 63 Victor De Castro -1997 Squared; opposite corners pointed; has 3 weights and italics in both regular & condensed versions.
Kadlec ExtraBold (UT) D 8 1 Victor De Castro -1997 "Squared; W not crossed; type 1 R; 4 weights, with oblique italics"
Chatty Cocktails (FD) D 8 2 y like u with long stem
Dundee (RR) T 8 3
Saw (Brassfonts) D 8 3 Brassfonts.de "y like Y; reverse base serif on l; serifs on I, J"
Kadlec (UT) D 8 9 Victor De Castro -1997 "Squared; W crosses in middle; type 2 R; 4 weights, with oblique italics"
Round Gothic Light (OL) D/T 8 9
Clearview (TD) T 8 15 curved l; slight curve on tail of a
Magda Clean (FF) T 8 15 "rounded square letterforms; J below baseline; serif on I, J"
Normalise (MN/AG) D 8 15
Progress (Alias) D 8 15 "bowls pinched; bent strokes on M, V, v & W"
Ersatz (GD) D 8 29 Farey & Dawson - 2002 "e has round bowl; M, N, W, F & Y like lower case; many rounded letters"
Neuzeit Grotesk (AD) T 8 33 Curved l; serif on J
Plak (LL) T 8 33
Polka (MN/AG) H 8 33
Radiant Text (E+F) T 8 33
Rundfunk Grotesk Bold (LL) T 8 33
Birdlegs (GR/FHs/AG) H 8 34
Contax (GD) T 8 34 Type Innovations bowl of R is open
Sans No. 1 (AG) T 8 34 straight j
Tempo Grunged (RR) T/D 8 34 slightly irregular outlines
Twentieth Century Classified (MT) T 8 34 "R ambiguous; descenders very short, almost on baseline"
Atrament (Suitcase) T 8 35 at www.suitcasetype.com
City Street Type (FF) T 8 35 East' (Condensed); 'West' (normal)
Clicker (FB) D 8 35 squared letters
Erbar (LL) T 8 35
Polka (MN/AG) H 8 35
Raleigh Gothic (PN/AG) D 8 35 "squared; Alternate form has many rounded U.C. letters, different 'a'. (See D 6-29)"
Cavalier (TF) D 8 37 letters shaped like parallelograms with obtuse angles rounded
Information (BE) T 8 37
Stylus (IT) H 8 37 "no dots on i, j"
Zekton (Td) D 8 37 squared
Zekton Ink (Td) D 8 37 roughened' version of Zekton
Bernhard Gothic (BE) T 8 38
Bernhardt (AG) T 8 38
Hotelmoderne Two (TF) D 8 39
Nobel (FB) T 8 39 (Also DTL)
Martin Gothic (URW) T 8 40 "W crosses; stems on b & d blend with bowls; stems on m, n & u curve outward"
Martin Gothic Bold (URW) T 8 40 Note that W does not cross in middle for Bold weight
Blue Highway (RL) T 8 41 short tailed g (like Interstate)
Grotesk S Digi (E+F) T 8 41
Interstate (FB) T 8 41 short tail on g
Katerine (Suitcase) T 8 41 Serif on I
Neuzeit S (AD) T 8 41 Serif on J
Punctual Four (Fby) D 8 41 semiserif; e like c with centerline; M crosses in center
Punctual Universal (Fby) D 8 41 x-height same as caps
Westerveldt (AG) T 8 41
Twentieth Century Classified (MT) T 8 42 "R ambiguous; descenders very short, almost on baseline"
Cholla Sans (EM) D 8 43 "B, D, P, R have stems; squarish"
Fernand Sans (UT) D 8 43 Victor De Castro -1997 Angular
Wyvern (Td) T 8 43
Balken (BE) T 8 45
Mustardo (Ftn) T 8 45
No Dr. (CAP) T 8 45 curved l
No Dr. Tall (CAP) T 8 45
Ordinar (LL) T 8 45
Vibration (FB) T 8 45 Ignores slight tail on a.
DIN Schriften (BE/AD/FF) T 8 47 Curved l [Also FF DIN]
Manifesto (TX) D 8 47 squared
Ultra Modern Alt. (RR) D 8 51 exaggerated S and s; single storey g; wedge dots
Graficz (Psy) T 8 53 semiserif; some strokes extend through stems
Neographik (AG) D 8 53 "squared counters, heavy weight"
Tasse (FB) T 8 53 straight j; rounded bowl on y
Techno (Apple) T 8 53 "M, N, W like l.c.; curved l; angular bowls; Apple System font"
Case150903-Pluto (AG/CAP) D 8 57 "M, N like l.c.; backwards tail on g"
Czykago (F2F) D/T 8 57 Alexander Braczyk - 1995 curved l; M & W w/ centerlines; y like u with center tail
Futura Steile (BE) D 8 57 aka Bauer Topic; squared
Kit (AG) D 8 57 squarish; vertcal strokes heavier; R leg angled on right edge (curved)
Cameo (RR) D 8 58 "uneven widths and line strokes; has Art Deco feel similar to 'Irvin' of New Yorker magazine, but more discipline; has two weights"
Inverness (RR) D/T 8 58 semiserif; oddly attached straight serifs on many letters
Empire State (TF) D 8 59
Nouveau Riche (TF) D 8 59 extremely compressed
Armada (FB) D 8 61 squared letters; M has centerline
Berlin-Grotesk (BE) T 8 61
Butterfly (OL) D 8 61 Dennis Ortiz-Lopez
Case Study No. One (LL) T/D 8 61 "square counters, rounded corners; curved l; serif on I & j; comes in 6 weights, each with italic & alt; Alt face is collection of text dingbats"
Chamfer Gothic (RR) D/T 8 61 "angled corners on most letters; compressed, rectangular counters"
Ergo (LL) T 8 61
Eurostile (AD) D 8 61 squared
Gangly (FB) D 8 61 "squared letters, simplified shapes; M has centerline; N like large n"
Kaliber (LL) D 8 61 Squared; M with centerline; angled descenders
Marten (FF) D 8 61 "See Bauhaus-style; M, N like lower case; A rounded"
Mekanik (Let) D 8 61 See Bauhaus-style
Phenix American (AG) D 8 61 "A, M, W, Y rounded"
Rezident (LL) D 8 61 "slanted parallellogram, rounded u.l. & l.r. corners;M with centerline"
Roundy (LL) H 8 62
Silhouette (LP/AG) D 8 63 compressed
Simonell Sans (UT) D 8 63 Victor De Castro -1997 Squarish/flattened; curved bowl on y
Sneakers Biform (T26) D 8 63 upper & lower case same size
Huxley High (TF) D 8 n/a See Bauhaus-style; high waist
Huxley Low (TF) D 8 n/a See Bauhaus-style; low waist
Casablanca (RR) D 9 2 See Bauhaus-style
Cirgeos (TF) D 9 2
Romeo (FB) D 9 2 identical to Casablanca
Mosquito (AG) T 9 5 stroke terminals curved and narrower
Mosquito Formal (AG) T 9 5
Reykjavik Two (Psy) T 9 13 oblong letterforms for rounded letters;E like reversed 3; k has loop; A rounded; long tail on f
Eaglefeather Informal (AG) D 9 15
Sinclair (RR) H 9 21 like brush lettering
Albawing (LL) T 9 29 "'Crotch' of M curves outward; f below baseline; y has curved bowl; serif only on J; has italic version & two display variants, called Albatross & Albafire."
Badger (RR) D 9 30 Serif on J; y with curved bowl
Gadget (Apple) D 10 2 "Mac system font; curved l; serifs on C, G & S"
Gothic No.3 (AG) T 10 2
Heraldus (E+F) T 10 2
Metro #2 (LL) T 10 2
Josef (ingo) T 10 3 Ingo Zimmermann - 2000 "has alt a, g, G, M, R, B, A,f, d, ß and l (l has very slight curve at base)"
Super Grotesk (FF) T 10 3
Burko (TF) D 10 5 similar to Pump and Bauhaus
Guestcheck (TF) D 10 5 flattened sides; heavy vertical strokes
Govan Alt (FF) T 10 7 "l not curved; serif on I; Govan One, Two and Three and progressively wider."
Green Terror (T26) D 10 7 "Serif on J; some strokes cross stems, like in R; odd terminals on many strokes."
Gothic No.2 (AG) T 10 9
Serus (Psy) T 10 9 Semiserif; serifs only on tops of letters
Ulissa (abc/AG) T 10 9
Ulissa Rounded (abc/AG) T 10 9 rounded strokes
Metro (LL) T 10 10
Berlin Sans (FB) D 10 13 alternate G (type 3)
Bryant Alt (Proc) T 10 13 "alt has different a, n, u, similar to Bauhaus-style"
Cleanhouse (HI) H 10 15
Adaptive Mono (Psy) T 10 16 "Monospaced semi-serif; serifs on E, F, J, L, T and Z; also on several l.c. letters."
Popgod (T26/DF) D 10 25 many parts of letters are separated elements
Jeunesse Sans (AG) T 10 29
45 degrees (T26/IDK) D 10 31 squarish with 45 degree corners
Gill Sans School (MT) T 10 31 Curved l; rounded bowl on y
Sansa (Our) T/D 10 31
Isonorm (FF) D 10 47 squared; curved l; rounded strokes
Eaglefeather (AG) D 10 n/a
Wade Sans (Let) D 11 2 low x-height; very small serifs
Blueprint (MT) H 11 6
Betabet Sans (T26) D/T 11 13 "short stems or serifs on many l.c.; I, J have serifs"
Petrol (T26) D 11 13 "Semiserif font; M, W rounded; l curved"
Kabel (IT) T 11 33 See Bauhaus-style
Dax (FF) T 11 34 J goes below baseline
Generica Cond. (AG) T 11 34 f below baseline
Schmalhans (FF) D 11 34 compressed
Zeppelin (AG) D 11 34
Aspect Intro (LL) T 11 37 "curved l; f below baseline; serif only on J; curved bowl on y; display variant called 'Aspect' is white, against black shapes."
Pacific Clipper (GR/AG) D 11 38 g has short tail; sawtooth m
Stoclet (IT) D 11 39 "ear-shaped C, D; U narrower at top"
Extension (RR) T 11 40
Betabet Sans (T26) D/T 11 45 "short stems or serifs on many l.c.; I, J have serifs"
Sam Sans (FB) T 11 47 compressed; k with loop
Whiskey (IT) H 11 47
Alambic (TF) T 11 57
Alphaville (Shn) D 11 57 Nick Shinn - 2000 ShinnType; Squared letters; M has centerline
Bodega Sans (FB) D 11 59
Method (LL) D 11 61 G is ambiguous
Base 3 (KH) D 11 63 www.koenhachmang.com
base 6 (KH) D 11 63 www.koenhachmang.com
Unotype (AG/BB) D/H 11 63 "Monospaced; rounded, almost hand-drawn lettering"
Newport Classic (AG) D 11 n/a See Bauhaus-style
Shinn (RR) T 12 4
Numskill (FB) D 12 5 David Berlow - 1990 thick/thin strokes very exaggerated
Nortel Networks Primary T 12 6 (Nortel)
Pescara (T26) T 12 7 I has serifs; l is curved;
Giacomo (TD) T 12 10
Havanna (E+F) H 12 10
Grotesque 1 (MT) T 12 13
Reykjavik One (Psy) T 12 13 slight tail on a; oblong letterforms for rounded letters
Roxy (FB) T 12 13
Venus (BE/URW/LL) T 12 13
Anomaly (Alias) T 12 14
Shaker (JT) T 12 14
HPSans (HP) T 12 16 Hewlett-Packard "y with curved bowl; tails of g, j & y taper at tip"
Officina Sans (IT) T 12 16 "I, J have serifs; curved l "
Maxima (URW) T 12 18
Olympia (E+F) T 12 19
Doric (AD) T 12 25
Dyadis (IT) T 12 26 semiserif face; E like reverse 3
Arial (MT) T 12 29
Swing Bill (BB/AG) D 12 29 "squared; M,W like lower case"
Modula Sans (EM) D 12 31
Lance (FF) T 12 33 Compressed font
Zacron (TF) D 12 33 g like G with long 'beard'
Zacron Alt. (TF) D 12 33 g more conventional
Cachet (PN/AG) T 12 34
Grange (TF) T 12 34
Hoffmann (FB) D 12 34 bowls open on most letters
Seven Sans (ICG) D 12 34 uneven strokes
Tempo (AD) T 12 34
Agency (FB) D 12 35 Squared letters
Cafeteria (FB) H 12 35
Atlantis (LL) H 12 36
Audrey (UT) D 12 36 Victor De Castro -1997 "Squared; some strokes longer than others, like overshoot"
Flux Bold (T26) T 12 37 "T26(17); curved l; rounded bowl on y; B,D with round bottom"
Rotis Semiserif (AG) T 12 37
Vellve (AG) T 12 37 [Velveteen (FBk) shown]
Eras (IT) T 12 38
Gotham Condensed (HTF) T 12 39 R taken as type 1 for Medium & Bold only (Light & Book weights are T12-47)
Govan (FF) T 12 39 "curved l; very short descenders; Govan One, Two and Three and progressively wider."
Granby Elephant (BE) T 12 39
OCR A (AD) D 12 39
OCR F (FF) T 12 39 Curved l
Cartonnage Roman (FF) T/D 12 41 Yanek Iontef - 2003 Slightly grunged look; oblong counters
Galaxie Polaris (TH) T 12 41 Chester - 2004 "Comes in 5 weights, each with italic"
Shannon (AG) T 12 41 "ignored slight M splaying; C, G, c ear-shaped"
Esseltube (BB/AG) T 12 42
Tabard (E+F) T 12 42
Battery (Brassfonts) D 12 43 Brassfonts.de squared; e like c with bar; top of g open
Corpa Gothic (Brassfonts) T 12 43 Brassfonts.de
OCR B (AD) D 12 43 y has slight curve to tail see also D12-47
Verdana (MS) T 12 43
Zemestro (AG) T 12 43 slightly squared look
Avenir (AD) T 12 45
Berlin Sans (FB) D 12 45 alternate a; alternate G
Bruhn Script (Fou) D 12 45 "Rounded M with centerline; lower loop on f; serif on J, i, l curved; W has vertical sides"
Bryant (Proc) T 12 45 "alt has different a, n, u, similar to Bauhaus-style"
Dungeon (RR) D 12 45 squared letters; suggestion of serifs
Elvis in Stereo (CAP) D 12 45 inline letters
Flux Regular (T26) T 12 45 "T26(17); curved l; rounded bowl on y; B,D with round bottom"
Jocelyn (AG) D 12 45 Curved l; See Bauhaus-style
New Critter (LTR) T 12 45 Has true italic face; Left stroke of y is rectangle
Reykjavik One (Psy) T 12 45 slight tail on a; oblong letterforms for rounded letters
Serene (FHs/AG) D 12 45 "squared, bowls slightly open"
Serpentine (AD) D 12 45 squared
Tara (Brassfonts) T 12 45 Brassfonts.de serif on J
Waddy 80-82 (AG) T 12 45 W legs crossed; ignores slight M splay
Whitney (HTF) T 12 45 "Whitney has 2 g's, M's, Q's, U's and W's"
Bosis (BB/AG) T 12 46 Curved l
Cosmos (BE) T 12 46 terminals are tapered
Delta Jaeger (BE) T 12 46 notches at stem connections
Foundry Sterling (QS) T 12 46
Waddy 80-82 (AG) T 12 46 W legs crossed; considers slight M splay
Whitney (HTF) T 12 46 "Whitney has 2 g's, M's, Q's, U's and W's"
Felbridge (AG) T 12 47 "Slight curve to R tail; asymmetric C; serifs on I, J, i, j; curved l"
Forever Two (TF) T 12 47
Geneva (Apple) T 12 47 Slight curve to R; Mac system font
Gotham (HTF) T 12 47 "[comes in 4 weights, with italics; coding also applies to Condensed Light & Med.]"
Granby (E+F) T 12 47
Monitor (Our) T 12 47 "serif on I, j & l; curved bowl on y"
OCR B (AD) D 12 47 y has slight curve to tail see also D12-43
Positec (T26/IDK) D 12 47 squarish; serif on J; y with squared bowl
Saarikari (TPC) D 12 47 "Serif on J; curved i, l."
Hardwood (LP/AG) D 12 48
New Spectra (MW) T 12 48 Martin Wait "N, Y like l.c."
Tiresias (BT) T 12 48
Brazilia (AG) T 12 57
Brown Gothic (Shn) T 12 57 Nick Shinn - 2000 ShinnType; ignores slight curve on a; Display version has less
Charcoal (Apple) T 12 57 Mac system font
Foxfire (TF) D 12 57 "M like lower case m; y has curved bowl, vertical tail; f abnormally high, below baseline"
Freytag (LL) T 12 57 "y has curved bowl, vertical tail; curved l; M, N, W & Y like l.c.; T has curved tail; A curved on left side"
Rotis Sans (AG) T 12 57 "ear-shaped C, c, e; monotone strokes"
Rotis Semisans (AG) T 12 57 "ear-shaped C, c, e; uneven strokes"
Uniform (ICG) T 12 57 [Univers equiv.]
Univers (LL) T 12 57
Humana Sans (IT) H 12 58 J below baseline
Benguiat Gothic (IT) D 12 60 "A,M,W curved"
Briem Akademi (AG) D 12 61 "squarish, angular letters; M & W with centerline."
Europa Grotesque (RR/AG) D 12 61 squared
Frutiger (AD) T 12 61
Handel Gothic (E+F/BE) D 12 61 e like c with line
Ned (LL) D 12 61 Michael Parson - 2002
OCRbczyk (F2F) T 12 61 Alexander Braczyk - 1994 curved l; serif on J
Prop Ten (GD) T 12 61 George Ryan - 2002 "Serifs on I, i, J,j; comes in 2 weights"
Russell Square (AD) D 12 61 squared; M not quite to baseline
Tema Cantate Sans (T26) T 12 61 "T, L, Z, F have flared horizontal strokes"
Transit (FF) T 12 61
Tryptomeme (TPC) D 12 61 squarish; indentations where strokes intersect
Myriad (AD) T 12 62
Bawdy (T26) T 12 63 T26(16)
Domestos Sans (T26) T 12 63 T26(23) Unusual bowls and rounded terminals on lower case
Felbridge (AG) T 12 63 "Slight curve to R tail; asymmetric C; serifs on I, J, i, j; curved l"
Geneva (Apple) T 12 63 Slight curve to R; Mac system font
Modena (x&y) T 12 63 Assumes M not splayed
Monolith (Fou) D 12 63 "Bar on G angles up; stem on d angles to left; serifs on i, l, f & J; angular font"
Prima Sans (BT) T 12 63
Prima Sans Monospace (BT) T 12 63 "serifs on I, I, J, j; monospaced"
Sophisto (Psy) T 12 63 Serif on J; R has angular 'curves';odd counter shapes
Info Display (FF) T 12 64 "Curved l; c, C open; I, J have serifs; J below baseline"
Modena (x&y) T 12 64 Considers M as splayed
Sassoon Sans Alt (MT) T 13 7 y curved bowl; f curves below baseline; J has serif
Rana (LL) H 13 11
Grimoire (Fou) D 13 29 Script-like slant; S with no bottom bowl; M with centerline; W like inverted M
Felt Pen (LL) H 14 1
Felt Pen (LL) H 14 2
Malcom (TB) T 14 2 2Rebels(DGWT); I with serifs
Veto (Brassfonts) D 14 3 Brassfonts.de "serifs on I, y & J; curved l; squared"
Authentic Sans (LL) T 14 11
Base 9/12 (EM) T 14 11
Unit Alt (FF) T 14 14 Erik Spiekermann - 2003 Ignores slight curve in leg of R; no serifs; l is straight
Reform (Psy) T/D 14 15 "Squarish; serifs on I, I, J, j"
Helvetica Textbook (LL) T 14 21
Schulbuch (FF) T 14 25 curved l
Garage Gothic (FB) T 14 27
Unit Alt (FF) T 14 30 Erik Spiekermann - 2003 Considers slight curve in leg of R; no serifs; l is straight
Havergal (AG) H 15 1
Hudson (UT) H 15 24 Victor De Castro -1997 loop in f; N like lower case
One Stroke Script (Let) H 15 35
Lebensjoy (AG) H 15 36 E like backwards 3
Fluxus (LL) H 15 38
Layout (FF) H 15 44 slight tail in leg of R
Inagur (LL) H 15 45
Fiorello Cond. (AG) D 15 49 terminals of strokes sharply angled; slight flip on leg of R
Layout (FF) H 15 52 slight tail in leg of R
Magatama (Let) D 15 57 Letraset (UK); spurs on stems; strokes rounded; irregular thickness of strokes
Hamilton (FB) T 15 61
Keystone State Native (T26) D 16 7 Monospaced; similar to Pennsylvania (FB); semiserif
Keystone State Relative (T26) D 16 7 similar to Pennsylvania (FB); semiserif
Pennsylvania (FB) T 16 11 Semiserif font
Akzidenz Grotesk (BE) T 16 13
Akzidenz Grotesk Old Face (BE) T 16 13
Bell Gothic (BT) T 16 13
Cash Mono (E+F) T 16 13
Delinquent (KH) D 16 13 curves made up of straight lines
Gothic Ex Light (AG) T 16 13
Griffith Gothic (FB) T 16 13
Unisphere (GF) T 16 13 Garagefonts (DGWT); like Helvetica/Arial with straight R
Kautiva (UMT) D 16 15 has angled stems and oddly shaped counters; also has unicase version
Letter Gothic (MT/FF) T 16 15 [Letter Gothic Text is proportionally spaced]
Akzidenz Grotesk Buch (BE) T 16 21
Helvetica (LL) T 16 21
Triumvirate (AG) T 16 21
Grotesque 2 (MT) T 16 29
Heldustry (AG) T 16 29
Langer (AG) H 16 29
Abadi (MT) T 16 31
Eurocrat (CT/AG) T 16 31 rounded bowl on y
House Gothic (HI) D 16 37 minimized counters
Unitech (UT) T 16 37 Victor De Castro -1997 Squared
Fluxus (LL) H 16 38
Foundry Gridnik (QS) D/T 16 41
Morgan Sans (Feliciano) D 16 43 Squared
Armada (TF) T 16 45 Not FB Armada
Aurora (BT) D 16 45 "A, M, W curved"
Bell Centennial (AD) T 16 45
Franzen (Psy) D 16 45 G could be type 4; M &W have centerlines; slight semiserif look
Global (GF) D 16 45 rounded bowl on y
Grotesk (BE) T 16 45
Malmo Sans (Fou) T 16 45
Imperfect (T26) D 16 47 Uneven letter weights
Coliseum (RR) T 16 49 small wedge serifs; rectangular counters
Akzidenz Grotesk Book Rounded (BE) T 16 53
Chalet Book (HI) T 16 53
Langer Alt (AG) H 16 53
Foundry Monoline (QS) T 16 57
Standard (CS/FHs) T 16 57
Aura (AG) T 16 61 very short descenders
Block Gothic Ex. Cond (RR) T 16 61
British Inserat (MN) D 16 61 squarish letters
Compacta (MT/Let/BT/BE) T 16 61
Folio (BE) T 16 61
Helvetica Inserat (AD) T 16 61
Helvetica Rounded (AD) T 16 61
Imago (BE) T 16 61
Impact (MT) T 16 61
Newsbytes (OL) T 16 61
Permanent Headline (FC) D 16 61 descenders above baseline
Roswell (IT) T 16 61
Unica (SG) T 16 61
Bayer Sans (VT) D 18 9 x-height same as caps height; Bauhaus-style letterforms
Eagle (FB) T 18 11
Berlin Sans (FB) D 18 13 "V, W, Y angled; G is type 5"
Berlinsans (FF) D 18 13 may not have all the same alternates as Berlin Sans (FB)
Phoenikia (Let) D 20 33 Letraset (UK); G considered type 5; letters formed from wedge-shaped arcs
Berlin Sans (FB) D 20 45 alternate a
Ellipse (IT) D 20 45
Franzen (Psy) D 20 45 G could be type 5; M &W have centerlines; slight semiserif look
Delay (Fou) D 20 61 Squared letterforms; M with centerline; curved l; serif on J; y with curved bowl
Corvallis Sans (PB/AG) H 21 9 looks pen-drawn
Nerol Sans (UT) T 22 1 Victor De Castro -1997 "f below baseline; stroke protrudes through stem on B, E, F, P, R"
Andrew Sans (UT) T 22 25 Victor De Castro -1997
Woodland (IT) H 23 6 J below baseline
Goudy Sans (IT) T 23 9 J below baseline; curved A with top serif
Phelps Sans (UT) T 23 9 Victor De Castro -1997
Spaulding Sans (JF) T 23 10 uneven strokes; Venetian style letterforms
Legacy Sans (IT) T 23 18 J below baseline
Pilsner (FB) D 23 37 "Squared, angular letters"
Roman Tyres (RR) D 23 45 "arcs used for curves; tails of h, m, n, and s curve beck below baseline; bowls of U.C. letters are open at top."
Eureka Mono (FF) T 23 46 "Monospaced; serif on I, J; J on baseline"
Eureka Sans (FF) T 23 46 J goes below baseline
Castle (E+F/URW/LL) D 24 2 lower g bowl flattened
Optima (AD) T 24 2
Salzburg (RR) T 24 2 "g lower bowl open, flattened; looks identical to 'Castle'"
Josef Alts (ingo) T 24 3 Ingo Zimmermann - 2000 "shows alt a,g, G, M, R, f, d and l (l fully straight line)"
John Sans (ST) T 24 5 J below baseline; lower bowl of g open
Odense (LL) T 24 6
Pompei (AG) T 24 6 very small serifs
Triplett (AG) T 24 6 Very small serifs
Beret (LL) T 24 9 Eduardo Omine - 2003 "includes curve to tail on a, but ignores slight M splay; has angled tops or bottoms on some strokes; serifs on J, j; comes in 5 weights, each with italic"
Productus (FB) T 24 9
Scala Sans (FF) T 24 9 y has very slight curve (ignored)
Linex Sans (AG) T 24 10
Tschichold (PT) T 24 11 Ignores very slight curve at top of R leg
Symbol (IT) T 24 13 very small serifs; tail on a not prominent
Bebop (AG) T 24 14 Curved l
Claude Sans (Let) T 24 14
Cronos (AD) T 24 14 open P
Foundry Sans (QS) T 24 14
New Age (GD) T 24 14 Alex Kaczun - 2002 semiserif; comes in 2 weights in Regular & Condensed widths; G considered to be type 1; Regular width has true italics for both weights
Pompei Light (AG) T 24 14 "very small serifs, R leg close to stem, but considered type 2 R"
Symphony (AG) T 24 14 same as Syntax
Syntax (AD/BE) T 24 14
English Grotesque (T26) T 24 15 T26(22); horseshoe-shaped C & G
Maiandra (AG/GD) H 24 18
Documenta Sans (DTL) T 24 21 DTL
Haarlemmer Sans (DTL) T 24 21 DTL
Herbert (E+F) T 24 26 "Unusual un-hooked J, below baseline"
Chianti (BT) T 24 30
Dialog (LL) T 24 33 Lower bowl of g open
Silverado (RR) T 24 33 small spur serifs; has condensed version too
Norma (LL) T 24 34
Octone (IT) T 24 34 slightly condensed font
Signata (BE) T 24 34
Stellar (AG) T 24 34 x-height greater than Stellar Classic; 3 weights
Stellar Classic (GR) T 24 34 low x-height
Brda (LL) D 24 37 "has notches at stem intersections of A, a, b, d, e, G, h, m, n, P, p, Q, q, r and u; lower bowl of g is open; has italic version"
Hildegard (LL) T 24 37 "slight flare to strokes; comes in 2 weights, each with italic"
Caspari (DTL) T 24 38 DTL; R leg close to stem (also classed as T24-46)
Duckweed Sans (AB) T/H 24 38 semiserif face
Profile (FF) T 24 38 R leg close to stem
Supralux (Brassfonts) T 24 38 Brassfonts.de open g; serif on J; M splayed
TheSans (LF) T 24 38
Fritz (FB) H 24 39
Simper (TF) T 24 39 blobs at ends of strokes; G is ambiguous
Aroma (LL) T 24 40 R not clearly Type 2
TheSansMono (LF) T 24 40
Beret (LL) T 24 41 Eduardo Omine - 2003 "ignores curve to tail on a & slight M splay; has angled tops or bottoms on some strokes; serifs on J, j; comes in 5 weights, each with italic"
Hiroshige Sans (AG) T 24 41 small flare serifs; ignores slight M splay
Inegale (Psy) T 24 41 Straight pointed tails on f and a; slight hook on tail of y
Mariposa Sans (PB/AG) T 24 41 ignored slight M splay
Charlotte Sans (Let) T 24 42
Christiana (BE) T 24 42
Formata (BE) T 24 42
Globale (Let) T 24 42 "Letraset(UK); curved l; c,C squarish and open"
Signa (FF) T 24 43 J below baseline
Inegale (Psy) T 24 45 Straight pointed tails on f and a; slight hook on tail of y
Poppl-Laudatio (BE) T 24 45
Symbol (IT) T 24 45 very small serifs; tail on a not prominent
Alinea Incise (AG) T 24 46
BeoSans (FF) D 24 46 slightly to noticeably distressed; J below baseline
Caspari (DTL) T 24 46 DTL; R leg close to stem (also classed as T24-38)
Keule 2 (E+F) T 24 46 "strokes are tapered, wider at base; J has almost no tail"
Neuhengen (PB/AG) T 24 46
Profile (FF) T 24 46 R leg close to stem
Strada (FF) T 24 46 J below baseline
Bliss (AG) T 24 47 Curved l
Corisande (T26/IDK) T 24 47 curved l
Aroma (LL) T 24 48
Bradlo Sans (FF) T 24 49
Priori Sans (EM) T 24 49 a with flat top; J is almost straight; comes in 2 weights
Luna (IT) D 24 50 y tail not strongly curved; vertical stroke bolder; l curved
Ultra Modern (RR) D 24 51 heavy vertical strokes; Art Deco look; wedge dots
Luna (IT) D 24 54 y tail not strongly curved; vertical stroke bolder; l curved
QuickType Sans (AG) T 24 55 "ear-shaped C, G"
Oz Brush (A*I) H 24 58
Corinthian (Let) T 24 59
"Globe Gothic, Goudy (Stylus)" D 24 61 tailed g; ignores slight serif on G; R curve slight
Strayhorn (MT) T 24 61 "condensed, uneven strokes"
Tarcis Sans (UT) T 24 61 Victor De Castro -1997
Xctasy Sans Alternates (RR) D 25 3 See Bauhaus-style Guide
Riesling (BrightIdeas) D 25 17 "Flamboyant Art Deco look, with very wide and very narrow letters;l.c. s has very large lower bowl, like the g."
Melvin Sans (T26) T 26 2 g resembles 8; Q has vertical tail
Canterbury Old Style (RR) D 26 12 very low x-height; f way below baseline
Providence Sans (FF) H 26 12
Portobello (RR) T/D 27 5 semiserif; terminals come to blunt point; f below baseline
Le Chat Noir (AG) H 27 37 "M, N & E like lower case letters"
Aires (CAP) T 27 61 Serif on J; curved l
Renoir (TF) T 28 14
Poplar (AD) T 28 17
Extreme Sans (GD) D 28 31 "open lower bowl on g; l curved; W has vertical sides; serif on I, J; A, F have rounded tops; E like C with centerline"
Adepta (TF) T 28 33
Alega (FF) D 28 34 "squared counters might make G ambiguous; serif on J, i, j; y tail vertical"
Occupant Gothic (FB) D 28 35 "angular, squared letters"
Default Gothic (Psy) T 28 41 Psy-Ops (DGWT); squared
Postcard (AG) H 28 42
Benguiat Frisky (AG) H 28 45
Impress (BT) H 28 45
Mex Sans (T26) T 28 45
Cineplex (LL) D 28 46 "comes in 3 weights, reg & bold with true italic; also has SC; oblong counters; Y has curved bowl; rounded left corners on B, P, R"
Conduit (IT) T 28 47
Felth Gothic (T26) T 28 47 T26(18); some variation in strokes; g like Cheltenham; squarish
Pakenham (RL) T 28 49 squarish counters; open-tailed g
Gothic Condensed Medium Variants (RR) D/T 28 57 Most u.c. letters rounded shapes; y has centered tail
Gothic Condensed Medium (RR) T 28 61
Modula Round Sans (EM) D 28 61
Radiant (AG) D 28 61 N like large n; k arm loop
Empire (FB) D 28 63
Sneakers (T26) D 28 63
Orbon (IT) D 28 n/a shield-shaped counters; condensed letterforms
Obsessed (AG) D 29 2 g like open-bottomed 8; letters compressed oval-shaped
Out of the Fridge (IT) H 29 9
Artane Elongated (BT) D 30 7
Index (GF) T 30 11 "Garage Fonts (DGWT); spiked stems, lower bowl of g open"
Regulator (T26) D 30 11 "T26(21) strange g, like circle with angled L beneath"
Berlin Sans (FB) D 30 13 alternate G (type 3); alternate g
Tarzana (EM) T 30 24 "E like revsed 3; Q like reversed 9; comes in 2 weights, each with italics; also wide version with same weights"
Pisa (LL) H 31 1 e not obviously angled
Oxalis (AG) H/T 31 2 g has open lower bowl
Oxalis Alt (AG) H/T 31 2 proportions of letters different from Oxalis
Pisa (LL) H 31 2 e not obviously angled
Amsterdam Old Style (RR) D 31 9 semiserif; oddly angled arms & serifs; look like silent movie titles
Quadraat Sans (FF) T 31 15
Clichee (AG) H 31 21 g has angled upper bowl
Karbid (FF) T 31 22 "curved l; open lower bowl on g; serifs on i, j; curved bowl on y"
Tannhauser (Let) D 31 31 Lower case script-like and compressed
Barmeno (BE) T 31 37
Sari (FF) T 31 38 J below baseline; very slight curve on R
Albe Sans (Bergsland) T 31 39 "Serifs on C, G; uneven strokes; J below baseline"
Binner Gothic (MT) D 31 39 tail of g is s-shaped
Alphabet (T26) T 31 41
Globe Gothic (AG) T 31 41
Lucida Casual (BH/AG) H 31 45
Pill Gothic (UMT) T 31 47
Lucida Casual (BH/AG) H 31 53
Tema Cantate (T26) D 31 53 Semiserif; unusual flares to parts of letters; 2 weights
Bodega Sans OS (FB) D 31 61 Rounded M with centerline; Bauhaus-like style
Sari (FF) T 31 62 J below baseline; very slight curve on R
Dierama (TF) T 32 1 "f below baseline, short descenders, serifs?"
Adderville (IT) T 32 2 Crossed legs in W and w
Angie (FF) T 32 2 Semiserif; P and R not closed.
Avance (FF) T 32 5 Semiserif (bracket & small flareserifs); R has serif on tail
Clair (FF) H 32 5
Mahsuri Sans Bold (AG) T 32 6
Mundo Sans (AG) T 32 9 if M is not considered splayed; J below baseline
Mundo Sans (AG) T 32 10 if M is condisdered splayed; J below baseline
Brewery (LL) T 32 11
Agenda (FB) T 32 14 Curved l
Faceplate Sans (Psy) T 32 14 "Psy-Ops (DGWT); curved l, lower bowl of g open"
Mahsuri Sans (AG) T 32 14 R leg close to stem
Parisine Bold (AG) T 32 14
Today Sans (SG) T 32 14
Trebuchet (MS) T 32 14 "Curved l; i, j have serifs; lower bowl of g open"
Quadraat Sans (FF) T 32 15
Maltby (TF) T 32 16
Projekt (LL) T 32 16 slight curve on tail of R
Typestar (FF) T 32 16 "I, J have serifs; letters squared slightly"
Gararond (AG) H 32 17
Gill Sans (MT) T 32 27
Meta (FF) T 32 30 Curved l; g slightly open; J below baseline
Projekt (LL) T 32 32 slight curve on tail of R
Alega (FF) D 32 34 "squared counters might make G ambiguous; J, i, j with serifs; y tail vertical"
Highlander (IT) H 32 34 J below baseline
Lisbon/Lydian (MT/AG) H 32 34
Naniara (AG) T 32 34 g like open-bottomed 8; curved l; serif on J; no stem on m
Kosmik 1(FF) H 32 35 "has tri-variable letterforms, flipper uses all 3"
Kosmik 3 (FF) H 32 35 "has tri-variable letterforms, flipper uses all 3"
Ocean Sans (MT) T 32 37 "diamond-shaped dots on i, j"
Ritmo bold (AG) D 32 37 notches in vertical strokes
Alinea Sans (AG) T 32 38
Glasgow (RR) T 32 38
Kievit (FF) T 32 38 J below baseline
Stella (FTF) T 32 38
Kosmik 2 (FF) H 32 39 "has tri-variable letterforms, flipper uses all 3"
Simper (TF) T 32 39 blobs at ends of strokes; G is ambiguous
Apex Sans (TH) T 32 41 M considered as type 1; i and l curved
Congress Sans (CT) T 32 42
Ingrid (FS) T 32 42 Serif on I
Seria Sans (FF) T 32 42 J below baseline; W overlaps in middle
Wunderlich (FF) T 32 42
Apex Sans (TH) T 32 43 M considered as Type 3; i and l curved
Fago Office (FF) T 32 43 I with serifs; Y and r have baseline serifs
Lesmore (RR) T 32 43
Berlin Sans (FB) D 32 45 alternate g; alternate G; alternate a
Corporate S (URW) T 32 45
InterFace (DM) T 32 45 Dalton Maag Comes in 6 weights with oblique italics for each weight; J below basline.
Vectora (AD) T 32 45
Whitney (HTF) T 32 45 "Whitney has 2 g's, M's, Q's, U's and W's"
Leyden Black Sans (Psy) T 32 46
Mixage (IT) T 32 46
Whitney (HTF) T 32 46 "Whitney has 2 g's, M's, Q's, U's and W's"
Fago (FF) T 32 47 M has only slight splay; R very slight curve
Forever (TF) T 32 47
Info Office (FF) T 32 47 "Has serifs on f, i, j, l, r, I, J, T & Y"
Johnston (IT) T 32 47 "diamond-shaped dots on i, j; curved l"
Underground (P22) T 32 47
Fago (FF) T 32 48 M has only slight splay; R very slight curve
Scene (AG) T 32 48 l is curved; has semisans alternate face; comes in 6 weights with true italics
Galathea (BE) T 32 58
Wunderlich (FF) T 32 58
Oz Handicraft (BT) H 32 59
Bailey Sans (IT) T 32 61 lower bowl of g is open
Octane (LL) D 32 61 Curved l
Bistro (TF) T/D 32 63 Could be called Bauhaus-style; g like 8 with open lower bowl
Fago (FF) T 32 63 M has only slight splay; R very slight curve
Fago Monospaced (FF) T 32 63 "Monospaced; serif on I, J; Y and r have baseline serifs"
Baccarat (TF) D 32 64 "h,k,m,n have sloped legs"
Fago (FF) T 32 64 M has only slight splay; R very slight curve
Info Text (FF) T 32 64 "Curved l; c, C open; g lower bowl is open; J below baseline"
Noovo (IT) H 32 n/a
Verkehr (IT) D 34 22 Compressed;R has slight flip to tail
Hardcase (FF) D 35 15 "Curves made from straight segments; f, i, j, r, I, D, T have serifs; l curved"
Panache (IT) T 35 63
Amplitude (FB) T 36 9 Christian Schwartz - 2003 wedges cut from most stroke intersections; comes in 7 weights and 5 widths
Grotesque Cond (MT) T 36 13
Grotesque Display (MT) T 36 13
Hydrous (Psy) T 36 13 "Psy-Ops (DGWT); C, G, S with pear-serifs; lower bowl of g open"
Knockout (HTF) T 36 13 "Oblong counters, except in Sumo (widest) version; has 2 R's; t curve slight; many weights & widths"
Bau (FF) T 36 21
Champion Gothic (HTF) T 36 21 Q has centered tail; comes in 6 width/weight variations
Grotesque Cond (BE) T 36 21
Kipp (FF) D 36 21 grunged look; compressed
Knockout (HTF) T 36 21 "Oblong counters, except in Sumo (widest) version; has 2 R's; t curve slight; many weights & widths"
Leviathan (HTF) T 36 21 Black weight only
Metronome Gothic (AG) D 36 21 "strong contrast; compressed, oval letters"
Smart Sans (AG) T 36 21 Similar to Helvetica Compressed with 2-storey g
Britannic (E+F) T 36 29
Bureau Grotesque (FB) T 36 29
DynaGrotesk (ST) T 36 29
Grotesque No.9 (BE/SG) T 36 29
Headline bold (MT) T 36 29
Westinghouse Gothic (Paul Rand) T 36 29 Paul Rand - 1960 [a.k.a. National Gothic (Opti); Washington (Serials); Westin (Solo)]
Gothic No.1 (AG) T 36 37
Gothic No.4 (AG) T 36 37
Paralucent (T26/DF) T 36 37 Also has condensed version (also shown)
September (T26/DF) D/T 36 37
Berliner Grotesk (BE) T/D 36 39 very short descenders; R has upward curve to leg
Alpin Gothic (AG) T 36 45
Alternate Gothic (URW) T 36 45
Benton Gothic (FB) T 36 45
Elephant (T26) T 36 45 "T26(20); k has loop, small lower bowl on g; oblong counters"
Franklin Gothic (IT) T 36 45
News Gothic (AD/BT/MT) T 36 45
Trade Gothic (AD) T 36 45
Zine Sans (FF) T 36 45 J below baseline
Equipoize Sans (T26) T 36 47 T26(18); thin link between bowls of g; semiserif lower case
Formica (T26) T 36 47 "T26(23); lower bowl of g open; a, b rounded bottoms"
Lightline Gothic (MT/BE/SG) T 36 47
Monotone Gothic (BE) T 36 47
Unit (FF) T 36 47 Erik Spiekermann - 2003 "Curved l; I, i, j have serifs; ignores slight curve in leg of R"
Corpus Gothic (T26) T 36 53 T26(21) Slight flip on tail of R included
Fiedler Gothic (AG) D/T 36 53 Squared letters
Rhode (FB) T 36 57
Bulldog (CT) T 36 61
Corpus Gothic (T26) T 36 61 T26(21) Slight flip on tail of R ignored
Gothic Condensed Bold (RR) T 36 61 "Has different C, G & J from Medium weight"
Gothic No.13 (AD) T 36 61
Unit (FF) T 36 63 Erik Spiekermann - 2003 "Curved l; I, i, j have serifs; considers slight curve in leg of R"
Berlin Sans (FB) D 38 13 alternate g
Daley's Gothic (FB) D 39 37 rectangular letters; bowls all extremely compressed
Koliba (JY) T 40 34 Slight flip on tail of R; very distinctive g & e
Napier (T26) D 40 39
Berlin Sans (FB) D 40 45 alternate a; alternate g
Eidetic Modern (Psy) T 40 45 some downstrokes curved
Koliba (JY) T 40 50 Slight flip on tail of R; very distinctive g & e
TK Type (DM) T 61 47
Sirca (BD) D aeg1 ay5 rounded letterforms
Sirca Alt (BD) D aeg1 ay5 squared letterforms
Seebad (LL) D aeg24 ay37 Silvan Kaeser - 2002 G like l.c. g
Collage (Man) D aeg4 ay33 rounded strokes
Collage Hard (Man) D aeg4 ay33 square stroked
Blutter (KH) D aeg4 ay37 curved I; l like L
New Detroit (KH) D aeg4 ay37
Phino (KH) D aeg4 ay37 Koen Hachmang unusual s; curved i & l; stem of d curves left
Phino Alt (KH) D aeg4 ay37 Koen Hachmang darker and more squared than Phino regular
Orgovan (Suitcase) D G13 MR2 "all-caps; has Brush, Punk & Rounded versions"
Orgovan Brush (Suitcase) D G13 MR2 "all-caps; has Brush, Punk & Rounded versions"
Redeye Sans (About) D G3 MR9 Most letters like U.C. forms
Atrament Alt (Suitcase) D G5 MR25 "some lower case use uppercase forms; rounded M, N, E, W"
MDRD (Via) D G9 MR1
Antropos (Baar) D G9 MR2 Lutz Baar squarish; M considered type 2
Vere Dignum (LL) D G9 MR25 Phil Baines - 2002 has alternate and swash versions
"DGWT = Designer's Guide to Web Type by K. Ziegler, N. Greco"