Font name (Supplier) Font Class 1st Type Code 2nd Type Code Designer - Year Notes Heloisa (UT) T 1 1 Victor De Castro -1997 Comes in 3 weights with italics Metanoia (Baar) T 1 1 Lutz Baar like Sophia (Baar) with greater x-height Nora (IT) H 1 1 Sophia (Baar) T 1 1 Lutz Baar Serif on J; M considered type 1; G considered type 1 Flora (IT) D 1 6 like italics Priori Sans Alt (EM) D 1 17 many odd shapes; comes in 2 weights Zucca Sans (UT) T/H 1 21 Victor De Castro -1997 "M crotch not quite to baseline; M, Y concave curves; y has rounded bowl; comes in 2 weights with italics." Conde (UT) D 1 25 Victor De Castro -1997 "comes in 3 weights, with oblique italics." Pump (Let/E+F) D 1 29 See Bauhaus-style Alvarus (UT) T/D 2 1 Victor De Castro -1997 "Comes in 4 weights plus ""Shine"" display version, each with italics" London Black (OL) T 2 1 Arta (Let) T 2 2 Arturis (UT) H 2 2 Victor De Castro -1997 comes in 3 weights with italics Harry Obese Squeezed (RR) D/T 2 5 rounded points; heavyweight; curved bowl on y; see Bauhaus-style Guide Saint Louis (RR) D/T 2 5 "M, N like lower case; R tail curves upward; A rounded; sides of V, W curved" Bonnick (UT) T 2 9 Victor De Castro -1997 Also has condensed version; both come in 3 weights with oblique italics. Newt (GF) T 2 11 "GarageFonts (DGWT); bent spurs on many lower case; serif on I,J" Advert (FF) T 2 14 Gerstner (BE) D 2 21 Prosper (AG) D 2 21 squared; N like large n Lexikos (Let) T 2 27 Compressed Bolt Bold (IT) T 2 29 "squared, heavy; f below baseline" Lichtwerk (LL) D 2 29 "squared, compressed" Modernique (AG) D 2 29 very heavy vertical strokes;R leg angled (curved) on right edge Triplex Sans (EM) t 3 2 Agenda (URW) T 3 5 small wedge semiserif [not same as Agenda (FB)] Souvenir Gothic (BE) T 3 31 "curved sides on v, w, y" Asphalt (FB) D 3 33 some letters tilted; ultraheavy Munik Sans (UT) T 3 33 Victor De Castro -1997 comes in 3 weights with italics Stedge Sans (UT) T 3 33 Victor De Castro -1997 comes in 3 weights with italics Kurosawa Sans (T26) T 3 34 slight slope to e bar Neue Neuland (TF) D/T 3 34 Binner Poster (MT) D 3 35 Uneven M; R has upturned tail Quinte Sans Black (UT) D 3 35 Victor De Castro -1997 Squared letters; strokes round Digital Sans (E+F) D 3 37 Roslyn Gothic (LP/AG) D 3 39 ignores slight M splay Ziano (UT) T 3 41 Victor De Castro -1997 Oculus (Psy) D 3 45 "odd hook on j, g, & f; 'eroded' look to many letters" Clearface Gothic (AD/BE/MT) T 3 47 Burghley (PN/AG) H 3 57 Comedy (Let) D 3 63 Letraset (UK); letters wider at top Rubino Sans (ICG) D 4 1 shows design 'structure'; Fill version omits 'structure' TheMix (LF) T 4 6 Semisans Fedra Sans (TQ) T 4 9 "J, f below baseline; b has open bowl" Lucida Sans (BH/AG) T 4 9 Tarbone (UT) T 4 9 Victor De Castro -1997 "comes in 2 weights and inline version, all with italics." Culpepper (GD) H/D 4 10 George Ryan - 2002 "unusual open-bowl g; comes in 3 weights, each with SC version" Transfer Sans (Psy) T/D 4 13 "serifs on I, I, J, j; k with loop; Y has squared bowl" Lucida Sans Typewriter (BH/AG) T 4 15 Antique Olive (AD) T 4 33 Balance (FF) T 4 33 Dasilva (UT) T 4 33 Victor De Castro -1997 Comes in 3 weights with italics Green (IT) H 4 33 Mckay (UT) T 4 33 Victor De Castro -1997 small wedge serifs Nanus Sans (UT) T 4 33 Victor De Castro -1997 comes in 2 weights with italics Wagner Sans (UT) D 4 33 Victor De Castro -1997 "Squared; comes in 2 weights, each with italics" Aperto (AG/Psy) T 4 34 Evo (BE) T 4 34 Skia (Apple) T 4 34 Mac system font Solosans (Brassfonts) T 4 34 Brassfonts.de f crossbar only on left; half crossbar on t Solpera (ST) T/D 4 34 Very small serifs; Multiple weights & Italics & OSF; Considers R as type 1 Tempus Sans (IT) H 4 34 Oz Poster (A*I) T 4 35 Philos (Baar) T 4 35 Lutz Baar y slightly curved; G considered type 1; serif on J Pompeia (UT) D 4 35 Victor De Castro -1997 "Angled curves to C, E, G, O, Q" Spitz (LL) D 4 35 compressed Argo (DTL) T 4 37 Praxis (E+F) T 4 37 Liant (FF) D 4 38 squared counters with curved sides Orange (IT) H 4 40 Fishmonger (Suitcase) T 4 41 comes in 5 weights and widths Torniai Sans Light (UT) T 4 41 Victor De Castro -1997 comes in 5 weights with italics; heavier weights have type 4 R Memo (AG) T 4 42 small wedge serifs Solpera (ST) T/D 4 42 Very small serifs; Multiple weights & Italics & OSF; Considers R as type 2 Locator (Proc) T 4 43 "serif on J, curved l" Quinte Sans (UT) D 4 43 Victor De Castro -1997 Squared letters; strokes round Cocon (FF) H 4 45 Stone Sans (IT) T 4 45 Thordis Sans (E+F) T 4 45 "serifs on i, I, l, j, J" Augustal Cursiva (AG) T 4 50 Nashua (UT) D 4 52 Victor De Castro -1997 Caps like 'Irvin' ('New Yorker' type); comes in 3 weights with italics Quanta (A*I) T 4 57 Torniai Sans Black (UT) T 4 57 Victor De Castro -1997 comes in 5 weights with italics; lighter weights have type 2 R Solpera (ST) T/D 4 58 Very small serifs; Multiple weights & Italics & OSF; Consider R as type 4 Akimbo (TF) D 4 61 letters made from lines and arcs Cocon (FF) H 4 61 Foundry Form Sans (QS) T 4 61 Considers M not splayed Foundry Journal (QS) T 4 61 Considers M not splayed Freeman (T26/DF) D 4 61 centerlines on M & N; several weights (Black shown) Gravel (DF) D 4 61 M & N like lower case; many rounded shapes Hexatype (LL) D 4 61 strokes made from hexagonal segments Tekno (NX) D 4 61 "M, N like large m,n; letters angular" Quay Sans (IT) T 4 62 Tabula (IT) T 4 62 counters slightly squared Comic Sans (MS) H 5 2 Printhouse (HI) H 5 2 Ruzicka Freehand (LL/AD) H 5 2 "slight slant to letters; y has curved bowl, straight tail" Felt Tip Roman (AG) H 5 3 Mercurius (AG) H 5 6 Capone (PN/AG) D 5 7 See Bauhaus-style Sassoon Infant (MT) T 5 7 y curved bowl; f curves below baseline; J has serif; some l.c. letters with tails Sassoon Sans (MT) T 5 7 y curved bowl; f curves below baseline Bauhaus (IT) D 5 26 See Bauhaus-style Avant Garde Gothic (IT) T 6 1 Neuzeit BQ (BE) T 6 1 Serif on J Neuzeit Grotesk T (URW) T 6 1 serif on J Sharktooth (Msi) D 6 1 lower case letters have 'shark-tooth' profiles & tear-shaped counters Century Gothic (MT) T 6 2 Futura (AD) T 6 2 Litera (E+F) D 6 2 serif on J Orbit (LL) D 6 2 one dot somewhere on 'path' of each letter Renner Bold ArchiType (QS) D 6 2 multiple l.c. variants from Futura Spartan Classified (AD) T 6 2 straight j; descenders barely below baseline; R ambiguous Twentieth Century (MT) T 6 2 VAG Rounded (AD) T 6 2 Rounded strokes Vega (SG) T 6 2 Akzidenz Grotesk Schoolbook (BE) T 6 3 Graphite (FB) H 6 3 AdHoc (LL) H 6 6 Charon (LL) H 6 6 tear-shaped bowls on l.c. letters Fontoon (IT) H 6 7 Hotelmoderne (TF) D 6 7 e like c with line Xctasy Sans (RR) D 6 7 See Bauhaus-style Guide Fontoon (IT) H 6 8 Flyer (E+F) T 6 9 Grotesk N Digi (E+F) T 6 9 Spartan Classified (AD) T 6 10 straight j; descenders barely below baseline; R ambiguous Hermes (FB) T 6 11 Camo Sans (T26/IDK) D 6 13 Stencil style Y2K-Neophyte (KH) D 6 13 Koen Hachmang Broadband (ICG) D 6 15 e like c with line; very similar to Insignia (AD) Insignia (AD) D 6 15 Slightly similar to Broadband; normal S Insignia Alt (AD) D 6 15 Similar to Broadband (ICG); angled S Banjoman (AG) D 6 24 See Bauhaus-style Case150903-Saturn (AG/CAP) D 6 25 "F, M, N, W, Y like l.c.; backwards tail on g; uneven strokes" Horatio (E+F) D 6 29 See Bauhaus-style Puritas (LL) D 6 29 "comes in three weights, each with an italic; dots are partial circles on 2 lightest weights; curved l; curved bowl on y; serif on J; M, N, U, W & Y like l.c.; uneven strokes give appearance of tilt to right" Raleigh Gothic [ATF] Alt. (PN/AG) D 6 29 "squared; M, N, W & Y like lowercase; A rounded; S is curvy, not angular as in Regular version (See D 8-35)" Raincheck (TF) D 6 31 e like c with line Placard (MT) T 6 32 Bernhard Fashion (AG) D 6 n/a very low x-height Spidercave (Let) D 7 7 Letraset (UK); semiserif; rectangular counters; bold vertical strokes Escript (LL) H 7 37 Tekton (AD) H 7 37 Hotelmoderne Calligraphic (TF) D 7 39 e like c with slanted e-bar Jacoby (NX/AG) H 7 61 N like large n Method (LL) D 7 61 G is ambiguous Duhamel (UT) D 7 63 Victor De Castro -1997 Some normally straight parts of letters are curved; comes in 3 weights with italics; condensed version has 2 weights and italics Popowitz Sans (UT) D 7 63 Victor De Castro -1997 Oblong shapes; comes in 3 weights with italics Zetron Sans (UT) D 7 63 Victor De Castro -1997 Squared; opposite corners pointed; has 3 weights and italics in both regular & condensed versions. Kadlec ExtraBold (UT) D 8 1 Victor De Castro -1997 "Squared; W not crossed; type 1 R; 4 weights, with oblique italics" Chatty Cocktails (FD) D 8 2 y like u with long stem Dundee (RR) T 8 3 Saw (Brassfonts) D 8 3 Brassfonts.de "y like Y; reverse base serif on l; serifs on I, J" Kadlec (UT) D 8 9 Victor De Castro -1997 "Squared; W crosses in middle; type 2 R; 4 weights, with oblique italics" Round Gothic Light (OL) D/T 8 9 Clearview (TD) T 8 15 curved l; slight curve on tail of a Magda Clean (FF) T 8 15 "rounded square letterforms; J below baseline; serif on I, J" Normalise (MN/AG) D 8 15 Progress (Alias) D 8 15 "bowls pinched; bent strokes on M, V, v & W" Ersatz (GD) D 8 29 Farey & Dawson - 2002 "e has round bowl; M, N, W, F & Y like lower case; many rounded letters" Neuzeit Grotesk (AD) T 8 33 Curved l; serif on J Plak (LL) T 8 33 Polka (MN/AG) H 8 33 Radiant Text (E+F) T 8 33 Rundfunk Grotesk Bold (LL) T 8 33 Birdlegs (GR/FHs/AG) H 8 34 Contax (GD) T 8 34 Type Innovations bowl of R is open Sans No. 1 (AG) T 8 34 straight j Tempo Grunged (RR) T/D 8 34 slightly irregular outlines Twentieth Century Classified (MT) T 8 34 "R ambiguous; descenders very short, almost on baseline" Atrament (Suitcase) T 8 35 at www.suitcasetype.com City Street Type (FF) T 8 35 East' (Condensed); 'West' (normal) Clicker (FB) D 8 35 squared letters Erbar (LL) T 8 35 Polka (MN/AG) H 8 35 Raleigh Gothic (PN/AG) D 8 35 "squared; Alternate form has many rounded U.C. letters, different 'a'. (See D 6-29)" Cavalier (TF) D 8 37 letters shaped like parallelograms with obtuse angles rounded Information (BE) T 8 37 Stylus (IT) H 8 37 "no dots on i, j" Zekton (Td) D 8 37 squared Zekton Ink (Td) D 8 37 roughened' version of Zekton Bernhard Gothic (BE) T 8 38 Bernhardt (AG) T 8 38 Hotelmoderne Two (TF) D 8 39 Nobel (FB) T 8 39 (Also DTL) Martin Gothic (URW) T 8 40 "W crosses; stems on b & d blend with bowls; stems on m, n & u curve outward" Martin Gothic Bold (URW) T 8 40 Note that W does not cross in middle for Bold weight Blue Highway (RL) T 8 41 short tailed g (like Interstate) Grotesk S Digi (E+F) T 8 41 Interstate (FB) T 8 41 short tail on g Katerine (Suitcase) T 8 41 Serif on I Neuzeit S (AD) T 8 41 Serif on J Punctual Four (Fby) D 8 41 semiserif; e like c with centerline; M crosses in center Punctual Universal (Fby) D 8 41 x-height same as caps Westerveldt (AG) T 8 41 Twentieth Century Classified (MT) T 8 42 "R ambiguous; descenders very short, almost on baseline" Cholla Sans (EM) D 8 43 "B, D, P, R have stems; squarish" Fernand Sans (UT) D 8 43 Victor De Castro -1997 Angular Wyvern (Td) T 8 43 Balken (BE) T 8 45 Mustardo (Ftn) T 8 45 No Dr. (CAP) T 8 45 curved l No Dr. Tall (CAP) T 8 45 Ordinar (LL) T 8 45 Vibration (FB) T 8 45 Ignores slight tail on a. DIN Schriften (BE/AD/FF) T 8 47 Curved l [Also FF DIN] Manifesto (TX) D 8 47 squared Ultra Modern Alt. (RR) D 8 51 exaggerated S and s; single storey g; wedge dots Graficz (Psy) T 8 53 semiserif; some strokes extend through stems Neographik (AG) D 8 53 "squared counters, heavy weight" Tasse (FB) T 8 53 straight j; rounded bowl on y Techno (Apple) T 8 53 "M, N, W like l.c.; curved l; angular bowls; Apple System font" Case150903-Pluto (AG/CAP) D 8 57 "M, N like l.c.; backwards tail on g" Czykago (F2F) D/T 8 57 Alexander Braczyk - 1995 curved l; M & W w/ centerlines; y like u with center tail Futura Steile (BE) D 8 57 aka Bauer Topic; squared Kit (AG) D 8 57 squarish; vertcal strokes heavier; R leg angled on right edge (curved) Cameo (RR) D 8 58 "uneven widths and line strokes; has Art Deco feel similar to 'Irvin' of New Yorker magazine, but more discipline; has two weights" Inverness (RR) D/T 8 58 semiserif; oddly attached straight serifs on many letters Empire State (TF) D 8 59 Nouveau Riche (TF) D 8 59 extremely compressed Armada (FB) D 8 61 squared letters; M has centerline Berlin-Grotesk (BE) T 8 61 Butterfly (OL) D 8 61 Dennis Ortiz-Lopez Case Study No. One (LL) T/D 8 61 "square counters, rounded corners; curved l; serif on I & j; comes in 6 weights, each with italic & alt; Alt face is collection of text dingbats" Chamfer Gothic (RR) D/T 8 61 "angled corners on most letters; compressed, rectangular counters" Ergo (LL) T 8 61 Eurostile (AD) D 8 61 squared Gangly (FB) D 8 61 "squared letters, simplified shapes; M has centerline; N like large n" Kaliber (LL) D 8 61 Squared; M with centerline; angled descenders Marten (FF) D 8 61 "See Bauhaus-style; M, N like lower case; A rounded" Mekanik (Let) D 8 61 See Bauhaus-style Phenix American (AG) D 8 61 "A, M, W, Y rounded" Rezident (LL) D 8 61 "slanted parallellogram, rounded u.l. & l.r. corners;M with centerline" Roundy (LL) H 8 62 Silhouette (LP/AG) D 8 63 compressed Simonell Sans (UT) D 8 63 Victor De Castro -1997 Squarish/flattened; curved bowl on y Sneakers Biform (T26) D 8 63 upper & lower case same size Huxley High (TF) D 8 n/a See Bauhaus-style; high waist Huxley Low (TF) D 8 n/a See Bauhaus-style; low waist Casablanca (RR) D 9 2 See Bauhaus-style Cirgeos (TF) D 9 2 Romeo (FB) D 9 2 identical to Casablanca Mosquito (AG) T 9 5 stroke terminals curved and narrower Mosquito Formal (AG) T 9 5 Reykjavik Two (Psy) T 9 13 oblong letterforms for rounded letters;E like reversed 3; k has loop; A rounded; long tail on f Eaglefeather Informal (AG) D 9 15 Sinclair (RR) H 9 21 like brush lettering Albawing (LL) T 9 29 "'Crotch' of M curves outward; f below baseline; y has curved bowl; serif only on J; has italic version & two display variants, called Albatross & Albafire." Badger (RR) D 9 30 Serif on J; y with curved bowl Gadget (Apple) D 10 2 "Mac system font; curved l; serifs on C, G & S" Gothic No.3 (AG) T 10 2 Heraldus (E+F) T 10 2 Metro #2 (LL) T 10 2 Josef (ingo) T 10 3 Ingo Zimmermann - 2000 "has alt a, g, G, M, R, B, A,f, d, ß and l (l has very slight curve at base)" Super Grotesk (FF) T 10 3 Burko (TF) D 10 5 similar to Pump and Bauhaus Guestcheck (TF) D 10 5 flattened sides; heavy vertical strokes Govan Alt (FF) T 10 7 "l not curved; serif on I; Govan One, Two and Three and progressively wider." Green Terror (T26) D 10 7 "Serif on J; some strokes cross stems, like in R; odd terminals on many strokes." Gothic No.2 (AG) T 10 9 Serus (Psy) T 10 9 Semiserif; serifs only on tops of letters Ulissa (abc/AG) T 10 9 Ulissa Rounded (abc/AG) T 10 9 rounded strokes Metro (LL) T 10 10 Berlin Sans (FB) D 10 13 alternate G (type 3) Bryant Alt (Proc) T 10 13 "alt has different a, n, u, similar to Bauhaus-style" Cleanhouse (HI) H 10 15 Adaptive Mono (Psy) T 10 16 "Monospaced semi-serif; serifs on E, F, J, L, T and Z; also on several l.c. letters." Popgod (T26/DF) D 10 25 many parts of letters are separated elements Jeunesse Sans (AG) T 10 29 45 degrees (T26/IDK) D 10 31 squarish with 45 degree corners Gill Sans School (MT) T 10 31 Curved l; rounded bowl on y Sansa (Our) T/D 10 31 Isonorm (FF) D 10 47 squared; curved l; rounded strokes Eaglefeather (AG) D 10 n/a Wade Sans (Let) D 11 2 low x-height; very small serifs Blueprint (MT) H 11 6 Betabet Sans (T26) D/T 11 13 "short stems or serifs on many l.c.; I, J have serifs" Petrol (T26) D 11 13 "Semiserif font; M, W rounded; l curved" Kabel (IT) T 11 33 See Bauhaus-style Dax (FF) T 11 34 J goes below baseline Generica Cond. (AG) T 11 34 f below baseline Schmalhans (FF) D 11 34 compressed Zeppelin (AG) D 11 34 Aspect Intro (LL) T 11 37 "curved l; f below baseline; serif only on J; curved bowl on y; display variant called 'Aspect' is white, against black shapes." Pacific Clipper (GR/AG) D 11 38 g has short tail; sawtooth m Stoclet (IT) D 11 39 "ear-shaped C, D; U narrower at top" Extension (RR) T 11 40 Betabet Sans (T26) D/T 11 45 "short stems or serifs on many l.c.; I, J have serifs" Sam Sans (FB) T 11 47 compressed; k with loop Whiskey (IT) H 11 47 Alambic (TF) T 11 57 Alphaville (Shn) D 11 57 Nick Shinn - 2000 ShinnType; Squared letters; M has centerline Bodega Sans (FB) D 11 59 Method (LL) D 11 61 G is ambiguous Base 3 (KH) D 11 63 www.koenhachmang.com base 6 (KH) D 11 63 www.koenhachmang.com Unotype (AG/BB) D/H 11 63 "Monospaced; rounded, almost hand-drawn lettering" Newport Classic (AG) D 11 n/a See Bauhaus-style Shinn (RR) T 12 4 Numskill (FB) D 12 5 David Berlow - 1990 thick/thin strokes very exaggerated Nortel Networks Primary T 12 6 (Nortel) Pescara (T26) T 12 7 I has serifs; l is curved; Giacomo (TD) T 12 10 Havanna (E+F) H 12 10 Grotesque 1 (MT) T 12 13 Reykjavik One (Psy) T 12 13 slight tail on a; oblong letterforms for rounded letters Roxy (FB) T 12 13 Venus (BE/URW/LL) T 12 13 Anomaly (Alias) T 12 14 Shaker (JT) T 12 14 HPSans (HP) T 12 16 Hewlett-Packard "y with curved bowl; tails of g, j & y taper at tip" Officina Sans (IT) T 12 16 "I, J have serifs; curved l " Maxima (URW) T 12 18 Olympia (E+F) T 12 19 Doric (AD) T 12 25 Dyadis (IT) T 12 26 semiserif face; E like reverse 3 Arial (MT) T 12 29 Swing Bill (BB/AG) D 12 29 "squared; M,W like lower case" Modula Sans (EM) D 12 31 Lance (FF) T 12 33 Compressed font Zacron (TF) D 12 33 g like G with long 'beard' Zacron Alt. (TF) D 12 33 g more conventional Cachet (PN/AG) T 12 34 Grange (TF) T 12 34 Hoffmann (FB) D 12 34 bowls open on most letters Seven Sans (ICG) D 12 34 uneven strokes Tempo (AD) T 12 34 Agency (FB) D 12 35 Squared letters Cafeteria (FB) H 12 35 Atlantis (LL) H 12 36 Audrey (UT) D 12 36 Victor De Castro -1997 "Squared; some strokes longer than others, like overshoot" Flux Bold (T26) T 12 37 "T26(17); curved l; rounded bowl on y; B,D with round bottom" Rotis Semiserif (AG) T 12 37 Vellve (AG) T 12 37 [Velveteen (FBk) shown] Eras (IT) T 12 38 Gotham Condensed (HTF) T 12 39 R taken as type 1 for Medium & Bold only (Light & Book weights are T12-47) Govan (FF) T 12 39 "curved l; very short descenders; Govan One, Two and Three and progressively wider." Granby Elephant (BE) T 12 39 OCR A (AD) D 12 39 OCR F (FF) T 12 39 Curved l Cartonnage Roman (FF) T/D 12 41 Yanek Iontef - 2003 Slightly grunged look; oblong counters Galaxie Polaris (TH) T 12 41 Chester - 2004 "Comes in 5 weights, each with italic" Shannon (AG) T 12 41 "ignored slight M splaying; C, G, c ear-shaped" Esseltube (BB/AG) T 12 42 Tabard (E+F) T 12 42 Battery (Brassfonts) D 12 43 Brassfonts.de squared; e like c with bar; top of g open Corpa Gothic (Brassfonts) T 12 43 Brassfonts.de OCR B (AD) D 12 43 y has slight curve to tail see also D12-47 Verdana (MS) T 12 43 Zemestro (AG) T 12 43 slightly squared look Avenir (AD) T 12 45 Berlin Sans (FB) D 12 45 alternate a; alternate G Bruhn Script (Fou) D 12 45 "Rounded M with centerline; lower loop on f; serif on J, i, l curved; W has vertical sides" Bryant (Proc) T 12 45 "alt has different a, n, u, similar to Bauhaus-style" Dungeon (RR) D 12 45 squared letters; suggestion of serifs Elvis in Stereo (CAP) D 12 45 inline letters Flux Regular (T26) T 12 45 "T26(17); curved l; rounded bowl on y; B,D with round bottom" Jocelyn (AG) D 12 45 Curved l; See Bauhaus-style New Critter (LTR) T 12 45 Has true italic face; Left stroke of y is rectangle Reykjavik One (Psy) T 12 45 slight tail on a; oblong letterforms for rounded letters Serene (FHs/AG) D 12 45 "squared, bowls slightly open" Serpentine (AD) D 12 45 squared Tara (Brassfonts) T 12 45 Brassfonts.de serif on J Waddy 80-82 (AG) T 12 45 W legs crossed; ignores slight M splay Whitney (HTF) T 12 45 "Whitney has 2 g's, M's, Q's, U's and W's" Bosis (BB/AG) T 12 46 Curved l Cosmos (BE) T 12 46 terminals are tapered Delta Jaeger (BE) T 12 46 notches at stem connections Foundry Sterling (QS) T 12 46 Waddy 80-82 (AG) T 12 46 W legs crossed; considers slight M splay Whitney (HTF) T 12 46 "Whitney has 2 g's, M's, Q's, U's and W's" Felbridge (AG) T 12 47 "Slight curve to R tail; asymmetric C; serifs on I, J, i, j; curved l" Forever Two (TF) T 12 47 Geneva (Apple) T 12 47 Slight curve to R; Mac system font Gotham (HTF) T 12 47 "[comes in 4 weights, with italics; coding also applies to Condensed Light & Med.]" Granby (E+F) T 12 47 Monitor (Our) T 12 47 "serif on I, j & l; curved bowl on y" OCR B (AD) D 12 47 y has slight curve to tail see also D12-43 Positec (T26/IDK) D 12 47 squarish; serif on J; y with squared bowl Saarikari (TPC) D 12 47 "Serif on J; curved i, l." Hardwood (LP/AG) D 12 48 New Spectra (MW) T 12 48 Martin Wait "N, Y like l.c." Tiresias (BT) T 12 48 Brazilia (AG) T 12 57 Brown Gothic (Shn) T 12 57 Nick Shinn - 2000 ShinnType; ignores slight curve on a; Display version has less Charcoal (Apple) T 12 57 Mac system font Foxfire (TF) D 12 57 "M like lower case m; y has curved bowl, vertical tail; f abnormally high, below baseline" Freytag (LL) T 12 57 "y has curved bowl, vertical tail; curved l; M, N, W & Y like l.c.; T has curved tail; A curved on left side" Rotis Sans (AG) T 12 57 "ear-shaped C, c, e; monotone strokes" Rotis Semisans (AG) T 12 57 "ear-shaped C, c, e; uneven strokes" Uniform (ICG) T 12 57 [Univers equiv.] Univers (LL) T 12 57 Humana Sans (IT) H 12 58 J below baseline Benguiat Gothic (IT) D 12 60 "A,M,W curved" Briem Akademi (AG) D 12 61 "squarish, angular letters; M & W with centerline." Europa Grotesque (RR/AG) D 12 61 squared Frutiger (AD) T 12 61 Handel Gothic (E+F/BE) D 12 61 e like c with line Ned (LL) D 12 61 Michael Parson - 2002 OCRbczyk (F2F) T 12 61 Alexander Braczyk - 1994 curved l; serif on J Prop Ten (GD) T 12 61 George Ryan - 2002 "Serifs on I, i, J,j; comes in 2 weights" Russell Square (AD) D 12 61 squared; M not quite to baseline Tema Cantate Sans (T26) T 12 61 "T, L, Z, F have flared horizontal strokes" Transit (FF) T 12 61 Tryptomeme (TPC) D 12 61 squarish; indentations where strokes intersect Myriad (AD) T 12 62 Bawdy (T26) T 12 63 T26(16) Domestos Sans (T26) T 12 63 T26(23) Unusual bowls and rounded terminals on lower case Felbridge (AG) T 12 63 "Slight curve to R tail; asymmetric C; serifs on I, J, i, j; curved l" Geneva (Apple) T 12 63 Slight curve to R; Mac system font Modena (x&y) T 12 63 Assumes M not splayed Monolith (Fou) D 12 63 "Bar on G angles up; stem on d angles to left; serifs on i, l, f & J; angular font" Prima Sans (BT) T 12 63 Prima Sans Monospace (BT) T 12 63 "serifs on I, I, J, j; monospaced" Sophisto (Psy) T 12 63 Serif on J; R has angular 'curves';odd counter shapes Info Display (FF) T 12 64 "Curved l; c, C open; I, J have serifs; J below baseline" Modena (x&y) T 12 64 Considers M as splayed Sassoon Sans Alt (MT) T 13 7 y curved bowl; f curves below baseline; J has serif Rana (LL) H 13 11 Grimoire (Fou) D 13 29 Script-like slant; S with no bottom bowl; M with centerline; W like inverted M Felt Pen (LL) H 14 1 Felt Pen (LL) H 14 2 Malcom (TB) T 14 2 2Rebels(DGWT); I with serifs Veto (Brassfonts) D 14 3 Brassfonts.de "serifs on I, y & J; curved l; squared" Authentic Sans (LL) T 14 11 Base 9/12 (EM) T 14 11 Unit Alt (FF) T 14 14 Erik Spiekermann - 2003 Ignores slight curve in leg of R; no serifs; l is straight Reform (Psy) T/D 14 15 "Squarish; serifs on I, I, J, j" Helvetica Textbook (LL) T 14 21 Schulbuch (FF) T 14 25 curved l Garage Gothic (FB) T 14 27 Unit Alt (FF) T 14 30 Erik Spiekermann - 2003 Considers slight curve in leg of R; no serifs; l is straight Havergal (AG) H 15 1 Hudson (UT) H 15 24 Victor De Castro -1997 loop in f; N like lower case One Stroke Script (Let) H 15 35 Lebensjoy (AG) H 15 36 E like backwards 3 Fluxus (LL) H 15 38 Layout (FF) H 15 44 slight tail in leg of R Inagur (LL) H 15 45 Fiorello Cond. (AG) D 15 49 terminals of strokes sharply angled; slight flip on leg of R Layout (FF) H 15 52 slight tail in leg of R Magatama (Let) D 15 57 Letraset (UK); spurs on stems; strokes rounded; irregular thickness of strokes Hamilton (FB) T 15 61 Keystone State Native (T26) D 16 7 Monospaced; similar to Pennsylvania (FB); semiserif Keystone State Relative (T26) D 16 7 similar to Pennsylvania (FB); semiserif Pennsylvania (FB) T 16 11 Semiserif font Akzidenz Grotesk (BE) T 16 13 Akzidenz Grotesk Old Face (BE) T 16 13 Bell Gothic (BT) T 16 13 Cash Mono (E+F) T 16 13 Delinquent (KH) D 16 13 curves made up of straight lines Gothic Ex Light (AG) T 16 13 Griffith Gothic (FB) T 16 13 Unisphere (GF) T 16 13 Garagefonts (DGWT); like Helvetica/Arial with straight R Kautiva (UMT) D 16 15 has angled stems and oddly shaped counters; also has unicase version Letter Gothic (MT/FF) T 16 15 [Letter Gothic Text is proportionally spaced] Akzidenz Grotesk Buch (BE) T 16 21 Helvetica (LL) T 16 21 Triumvirate (AG) T 16 21 Grotesque 2 (MT) T 16 29 Heldustry (AG) T 16 29 Langer (AG) H 16 29 Abadi (MT) T 16 31 Eurocrat (CT/AG) T 16 31 rounded bowl on y House Gothic (HI) D 16 37 minimized counters Unitech (UT) T 16 37 Victor De Castro -1997 Squared Fluxus (LL) H 16 38 Foundry Gridnik (QS) D/T 16 41 Morgan Sans (Feliciano) D 16 43 Squared Armada (TF) T 16 45 Not FB Armada Aurora (BT) D 16 45 "A, M, W curved" Bell Centennial (AD) T 16 45 Franzen (Psy) D 16 45 G could be type 4; M &W have centerlines; slight semiserif look Global (GF) D 16 45 rounded bowl on y Grotesk (BE) T 16 45 Malmo Sans (Fou) T 16 45 Imperfect (T26) D 16 47 Uneven letter weights Coliseum (RR) T 16 49 small wedge serifs; rectangular counters Akzidenz Grotesk Book Rounded (BE) T 16 53 Chalet Book (HI) T 16 53 Langer Alt (AG) H 16 53 Foundry Monoline (QS) T 16 57 Standard (CS/FHs) T 16 57 Aura (AG) T 16 61 very short descenders Block Gothic Ex. Cond (RR) T 16 61 British Inserat (MN) D 16 61 squarish letters Compacta (MT/Let/BT/BE) T 16 61 Folio (BE) T 16 61 Helvetica Inserat (AD) T 16 61 Helvetica Rounded (AD) T 16 61 Imago (BE) T 16 61 Impact (MT) T 16 61 Newsbytes (OL) T 16 61 Permanent Headline (FC) D 16 61 descenders above baseline Roswell (IT) T 16 61 Unica (SG) T 16 61 Bayer Sans (VT) D 18 9 x-height same as caps height; Bauhaus-style letterforms Eagle (FB) T 18 11 Berlin Sans (FB) D 18 13 "V, W, Y angled; G is type 5" Berlinsans (FF) D 18 13 may not have all the same alternates as Berlin Sans (FB) Phoenikia (Let) D 20 33 Letraset (UK); G considered type 5; letters formed from wedge-shaped arcs Berlin Sans (FB) D 20 45 alternate a Ellipse (IT) D 20 45 Franzen (Psy) D 20 45 G could be type 5; M &W have centerlines; slight semiserif look Delay (Fou) D 20 61 Squared letterforms; M with centerline; curved l; serif on J; y with curved bowl Corvallis Sans (PB/AG) H 21 9 looks pen-drawn Nerol Sans (UT) T 22 1 Victor De Castro -1997 "f below baseline; stroke protrudes through stem on B, E, F, P, R" Andrew Sans (UT) T 22 25 Victor De Castro -1997 Woodland (IT) H 23 6 J below baseline Goudy Sans (IT) T 23 9 J below baseline; curved A with top serif Phelps Sans (UT) T 23 9 Victor De Castro -1997 Spaulding Sans (JF) T 23 10 uneven strokes; Venetian style letterforms Legacy Sans (IT) T 23 18 J below baseline Pilsner (FB) D 23 37 "Squared, angular letters" Roman Tyres (RR) D 23 45 "arcs used for curves; tails of h, m, n, and s curve beck below baseline; bowls of U.C. letters are open at top." Eureka Mono (FF) T 23 46 "Monospaced; serif on I, J; J on baseline" Eureka Sans (FF) T 23 46 J goes below baseline Castle (E+F/URW/LL) D 24 2 lower g bowl flattened Optima (AD) T 24 2 Salzburg (RR) T 24 2 "g lower bowl open, flattened; looks identical to 'Castle'" Josef Alts (ingo) T 24 3 Ingo Zimmermann - 2000 "shows alt a,g, G, M, R, f, d and l (l fully straight line)" John Sans (ST) T 24 5 J below baseline; lower bowl of g open Odense (LL) T 24 6 Pompei (AG) T 24 6 very small serifs Triplett (AG) T 24 6 Very small serifs Beret (LL) T 24 9 Eduardo Omine - 2003 "includes curve to tail on a, but ignores slight M splay; has angled tops or bottoms on some strokes; serifs on J, j; comes in 5 weights, each with italic" Productus (FB) T 24 9 Scala Sans (FF) T 24 9 y has very slight curve (ignored) Linex Sans (AG) T 24 10 Tschichold (PT) T 24 11 Ignores very slight curve at top of R leg Symbol (IT) T 24 13 very small serifs; tail on a not prominent Bebop (AG) T 24 14 Curved l Claude Sans (Let) T 24 14 Cronos (AD) T 24 14 open P Foundry Sans (QS) T 24 14 New Age (GD) T 24 14 Alex Kaczun - 2002 semiserif; comes in 2 weights in Regular & Condensed widths; G considered to be type 1; Regular width has true italics for both weights Pompei Light (AG) T 24 14 "very small serifs, R leg close to stem, but considered type 2 R" Symphony (AG) T 24 14 same as Syntax Syntax (AD/BE) T 24 14 English Grotesque (T26) T 24 15 T26(22); horseshoe-shaped C & G Maiandra (AG/GD) H 24 18 Documenta Sans (DTL) T 24 21 DTL Haarlemmer Sans (DTL) T 24 21 DTL Herbert (E+F) T 24 26 "Unusual un-hooked J, below baseline" Chianti (BT) T 24 30 Dialog (LL) T 24 33 Lower bowl of g open Silverado (RR) T 24 33 small spur serifs; has condensed version too Norma (LL) T 24 34 Octone (IT) T 24 34 slightly condensed font Signata (BE) T 24 34 Stellar (AG) T 24 34 x-height greater than Stellar Classic; 3 weights Stellar Classic (GR) T 24 34 low x-height Brda (LL) D 24 37 "has notches at stem intersections of A, a, b, d, e, G, h, m, n, P, p, Q, q, r and u; lower bowl of g is open; has italic version" Hildegard (LL) T 24 37 "slight flare to strokes; comes in 2 weights, each with italic" Caspari (DTL) T 24 38 DTL; R leg close to stem (also classed as T24-46) Duckweed Sans (AB) T/H 24 38 semiserif face Profile (FF) T 24 38 R leg close to stem Supralux (Brassfonts) T 24 38 Brassfonts.de open g; serif on J; M splayed TheSans (LF) T 24 38 Fritz (FB) H 24 39 Simper (TF) T 24 39 blobs at ends of strokes; G is ambiguous Aroma (LL) T 24 40 R not clearly Type 2 TheSansMono (LF) T 24 40 Beret (LL) T 24 41 Eduardo Omine - 2003 "ignores curve to tail on a & slight M splay; has angled tops or bottoms on some strokes; serifs on J, j; comes in 5 weights, each with italic" Hiroshige Sans (AG) T 24 41 small flare serifs; ignores slight M splay Inegale (Psy) T 24 41 Straight pointed tails on f and a; slight hook on tail of y Mariposa Sans (PB/AG) T 24 41 ignored slight M splay Charlotte Sans (Let) T 24 42 Christiana (BE) T 24 42 Formata (BE) T 24 42 Globale (Let) T 24 42 "Letraset(UK); curved l; c,C squarish and open" Signa (FF) T 24 43 J below baseline Inegale (Psy) T 24 45 Straight pointed tails on f and a; slight hook on tail of y Poppl-Laudatio (BE) T 24 45 Symbol (IT) T 24 45 very small serifs; tail on a not prominent Alinea Incise (AG) T 24 46 BeoSans (FF) D 24 46 slightly to noticeably distressed; J below baseline Caspari (DTL) T 24 46 DTL; R leg close to stem (also classed as T24-38) Keule 2 (E+F) T 24 46 "strokes are tapered, wider at base; J has almost no tail" Neuhengen (PB/AG) T 24 46 Profile (FF) T 24 46 R leg close to stem Strada (FF) T 24 46 J below baseline Bliss (AG) T 24 47 Curved l Corisande (T26/IDK) T 24 47 curved l Aroma (LL) T 24 48 Bradlo Sans (FF) T 24 49 Priori Sans (EM) T 24 49 a with flat top; J is almost straight; comes in 2 weights Luna (IT) D 24 50 y tail not strongly curved; vertical stroke bolder; l curved Ultra Modern (RR) D 24 51 heavy vertical strokes; Art Deco look; wedge dots Luna (IT) D 24 54 y tail not strongly curved; vertical stroke bolder; l curved QuickType Sans (AG) T 24 55 "ear-shaped C, G" Oz Brush (A*I) H 24 58 Corinthian (Let) T 24 59 "Globe Gothic, Goudy (Stylus)" D 24 61 tailed g; ignores slight serif on G; R curve slight Strayhorn (MT) T 24 61 "condensed, uneven strokes" Tarcis Sans (UT) T 24 61 Victor De Castro -1997 Xctasy Sans Alternates (RR) D 25 3 See Bauhaus-style Guide Riesling (BrightIdeas) D 25 17 "Flamboyant Art Deco look, with very wide and very narrow letters;l.c. s has very large lower bowl, like the g." Melvin Sans (T26) T 26 2 g resembles 8; Q has vertical tail Canterbury Old Style (RR) D 26 12 very low x-height; f way below baseline Providence Sans (FF) H 26 12 Portobello (RR) T/D 27 5 semiserif; terminals come to blunt point; f below baseline Le Chat Noir (AG) H 27 37 "M, N & E like lower case letters" Aires (CAP) T 27 61 Serif on J; curved l Renoir (TF) T 28 14 Poplar (AD) T 28 17 Extreme Sans (GD) D 28 31 "open lower bowl on g; l curved; W has vertical sides; serif on I, J; A, F have rounded tops; E like C with centerline" Adepta (TF) T 28 33 Alega (FF) D 28 34 "squared counters might make G ambiguous; serif on J, i, j; y tail vertical" Occupant Gothic (FB) D 28 35 "angular, squared letters" Default Gothic (Psy) T 28 41 Psy-Ops (DGWT); squared Postcard (AG) H 28 42 Benguiat Frisky (AG) H 28 45 Impress (BT) H 28 45 Mex Sans (T26) T 28 45 Cineplex (LL) D 28 46 "comes in 3 weights, reg & bold with true italic; also has SC; oblong counters; Y has curved bowl; rounded left corners on B, P, R" Conduit (IT) T 28 47 Felth Gothic (T26) T 28 47 T26(18); some variation in strokes; g like Cheltenham; squarish Pakenham (RL) T 28 49 squarish counters; open-tailed g Gothic Condensed Medium Variants (RR) D/T 28 57 Most u.c. letters rounded shapes; y has centered tail Gothic Condensed Medium (RR) T 28 61 Modula Round Sans (EM) D 28 61 Radiant (AG) D 28 61 N like large n; k arm loop Empire (FB) D 28 63 Sneakers (T26) D 28 63 Orbon (IT) D 28 n/a shield-shaped counters; condensed letterforms Obsessed (AG) D 29 2 g like open-bottomed 8; letters compressed oval-shaped Out of the Fridge (IT) H 29 9 Artane Elongated (BT) D 30 7 Index (GF) T 30 11 "Garage Fonts (DGWT); spiked stems, lower bowl of g open" Regulator (T26) D 30 11 "T26(21) strange g, like circle with angled L beneath" Berlin Sans (FB) D 30 13 alternate G (type 3); alternate g Tarzana (EM) T 30 24 "E like revsed 3; Q like reversed 9; comes in 2 weights, each with italics; also wide version with same weights" Pisa (LL) H 31 1 e not obviously angled Oxalis (AG) H/T 31 2 g has open lower bowl Oxalis Alt (AG) H/T 31 2 proportions of letters different from Oxalis Pisa (LL) H 31 2 e not obviously angled Amsterdam Old Style (RR) D 31 9 semiserif; oddly angled arms & serifs; look like silent movie titles Quadraat Sans (FF) T 31 15 Clichee (AG) H 31 21 g has angled upper bowl Karbid (FF) T 31 22 "curved l; open lower bowl on g; serifs on i, j; curved bowl on y" Tannhauser (Let) D 31 31 Lower case script-like and compressed Barmeno (BE) T 31 37 Sari (FF) T 31 38 J below baseline; very slight curve on R Albe Sans (Bergsland) T 31 39 "Serifs on C, G; uneven strokes; J below baseline" Binner Gothic (MT) D 31 39 tail of g is s-shaped Alphabet (T26) T 31 41 Globe Gothic (AG) T 31 41 Lucida Casual (BH/AG) H 31 45 Pill Gothic (UMT) T 31 47 Lucida Casual (BH/AG) H 31 53 Tema Cantate (T26) D 31 53 Semiserif; unusual flares to parts of letters; 2 weights Bodega Sans OS (FB) D 31 61 Rounded M with centerline; Bauhaus-like style Sari (FF) T 31 62 J below baseline; very slight curve on R Dierama (TF) T 32 1 "f below baseline, short descenders, serifs?" Adderville (IT) T 32 2 Crossed legs in W and w Angie (FF) T 32 2 Semiserif; P and R not closed. Avance (FF) T 32 5 Semiserif (bracket & small flareserifs); R has serif on tail Clair (FF) H 32 5 Mahsuri Sans Bold (AG) T 32 6 Mundo Sans (AG) T 32 9 if M is not considered splayed; J below baseline Mundo Sans (AG) T 32 10 if M is condisdered splayed; J below baseline Brewery (LL) T 32 11 Agenda (FB) T 32 14 Curved l Faceplate Sans (Psy) T 32 14 "Psy-Ops (DGWT); curved l, lower bowl of g open" Mahsuri Sans (AG) T 32 14 R leg close to stem Parisine Bold (AG) T 32 14 Today Sans (SG) T 32 14 Trebuchet (MS) T 32 14 "Curved l; i, j have serifs; lower bowl of g open" Quadraat Sans (FF) T 32 15 Maltby (TF) T 32 16 Projekt (LL) T 32 16 slight curve on tail of R Typestar (FF) T 32 16 "I, J have serifs; letters squared slightly" Gararond (AG) H 32 17 Gill Sans (MT) T 32 27 Meta (FF) T 32 30 Curved l; g slightly open; J below baseline Projekt (LL) T 32 32 slight curve on tail of R Alega (FF) D 32 34 "squared counters might make G ambiguous; J, i, j with serifs; y tail vertical" Highlander (IT) H 32 34 J below baseline Lisbon/Lydian (MT/AG) H 32 34 Naniara (AG) T 32 34 g like open-bottomed 8; curved l; serif on J; no stem on m Kosmik 1(FF) H 32 35 "has tri-variable letterforms, flipper uses all 3" Kosmik 3 (FF) H 32 35 "has tri-variable letterforms, flipper uses all 3" Ocean Sans (MT) T 32 37 "diamond-shaped dots on i, j" Ritmo bold (AG) D 32 37 notches in vertical strokes Alinea Sans (AG) T 32 38 Glasgow (RR) T 32 38 Kievit (FF) T 32 38 J below baseline Stella (FTF) T 32 38 Kosmik 2 (FF) H 32 39 "has tri-variable letterforms, flipper uses all 3" Simper (TF) T 32 39 blobs at ends of strokes; G is ambiguous Apex Sans (TH) T 32 41 M considered as type 1; i and l curved Congress Sans (CT) T 32 42 Ingrid (FS) T 32 42 Serif on I Seria Sans (FF) T 32 42 J below baseline; W overlaps in middle Wunderlich (FF) T 32 42 Apex Sans (TH) T 32 43 M considered as Type 3; i and l curved Fago Office (FF) T 32 43 I with serifs; Y and r have baseline serifs Lesmore (RR) T 32 43 Berlin Sans (FB) D 32 45 alternate g; alternate G; alternate a Corporate S (URW) T 32 45 InterFace (DM) T 32 45 Dalton Maag Comes in 6 weights with oblique italics for each weight; J below basline. Vectora (AD) T 32 45 Whitney (HTF) T 32 45 "Whitney has 2 g's, M's, Q's, U's and W's" Leyden Black Sans (Psy) T 32 46 Mixage (IT) T 32 46 Whitney (HTF) T 32 46 "Whitney has 2 g's, M's, Q's, U's and W's" Fago (FF) T 32 47 M has only slight splay; R very slight curve Forever (TF) T 32 47 Info Office (FF) T 32 47 "Has serifs on f, i, j, l, r, I, J, T & Y" Johnston (IT) T 32 47 "diamond-shaped dots on i, j; curved l" Underground (P22) T 32 47 Fago (FF) T 32 48 M has only slight splay; R very slight curve Scene (AG) T 32 48 l is curved; has semisans alternate face; comes in 6 weights with true italics Galathea (BE) T 32 58 Wunderlich (FF) T 32 58 Oz Handicraft (BT) H 32 59 Bailey Sans (IT) T 32 61 lower bowl of g is open Octane (LL) D 32 61 Curved l Bistro (TF) T/D 32 63 Could be called Bauhaus-style; g like 8 with open lower bowl Fago (FF) T 32 63 M has only slight splay; R very slight curve Fago Monospaced (FF) T 32 63 "Monospaced; serif on I, J; Y and r have baseline serifs" Baccarat (TF) D 32 64 "h,k,m,n have sloped legs" Fago (FF) T 32 64 M has only slight splay; R very slight curve Info Text (FF) T 32 64 "Curved l; c, C open; g lower bowl is open; J below baseline" Noovo (IT) H 32 n/a Verkehr (IT) D 34 22 Compressed;R has slight flip to tail Hardcase (FF) D 35 15 "Curves made from straight segments; f, i, j, r, I, D, T have serifs; l curved" Panache (IT) T 35 63 Amplitude (FB) T 36 9 Christian Schwartz - 2003 wedges cut from most stroke intersections; comes in 7 weights and 5 widths Grotesque Cond (MT) T 36 13 Grotesque Display (MT) T 36 13 Hydrous (Psy) T 36 13 "Psy-Ops (DGWT); C, G, S with pear-serifs; lower bowl of g open" Knockout (HTF) T 36 13 "Oblong counters, except in Sumo (widest) version; has 2 R's; t curve slight; many weights & widths" Bau (FF) T 36 21 Champion Gothic (HTF) T 36 21 Q has centered tail; comes in 6 width/weight variations Grotesque Cond (BE) T 36 21 Kipp (FF) D 36 21 grunged look; compressed Knockout (HTF) T 36 21 "Oblong counters, except in Sumo (widest) version; has 2 R's; t curve slight; many weights & widths" Leviathan (HTF) T 36 21 Black weight only Metronome Gothic (AG) D 36 21 "strong contrast; compressed, oval letters" Smart Sans (AG) T 36 21 Similar to Helvetica Compressed with 2-storey g Britannic (E+F) T 36 29 Bureau Grotesque (FB) T 36 29 DynaGrotesk (ST) T 36 29 Grotesque No.9 (BE/SG) T 36 29 Headline bold (MT) T 36 29 Westinghouse Gothic (Paul Rand) T 36 29 Paul Rand - 1960 [a.k.a. National Gothic (Opti); Washington (Serials); Westin (Solo)] Gothic No.1 (AG) T 36 37 Gothic No.4 (AG) T 36 37 Paralucent (T26/DF) T 36 37 Also has condensed version (also shown) September (T26/DF) D/T 36 37 Berliner Grotesk (BE) T/D 36 39 very short descenders; R has upward curve to leg Alpin Gothic (AG) T 36 45 Alternate Gothic (URW) T 36 45 Benton Gothic (FB) T 36 45 Elephant (T26) T 36 45 "T26(20); k has loop, small lower bowl on g; oblong counters" Franklin Gothic (IT) T 36 45 News Gothic (AD/BT/MT) T 36 45 Trade Gothic (AD) T 36 45 Zine Sans (FF) T 36 45 J below baseline Equipoize Sans (T26) T 36 47 T26(18); thin link between bowls of g; semiserif lower case Formica (T26) T 36 47 "T26(23); lower bowl of g open; a, b rounded bottoms" Lightline Gothic (MT/BE/SG) T 36 47 Monotone Gothic (BE) T 36 47 Unit (FF) T 36 47 Erik Spiekermann - 2003 "Curved l; I, i, j have serifs; ignores slight curve in leg of R" Corpus Gothic (T26) T 36 53 T26(21) Slight flip on tail of R included Fiedler Gothic (AG) D/T 36 53 Squared letters Rhode (FB) T 36 57 Bulldog (CT) T 36 61 Corpus Gothic (T26) T 36 61 T26(21) Slight flip on tail of R ignored Gothic Condensed Bold (RR) T 36 61 "Has different C, G & J from Medium weight" Gothic No.13 (AD) T 36 61 Unit (FF) T 36 63 Erik Spiekermann - 2003 "Curved l; I, i, j have serifs; considers slight curve in leg of R" Berlin Sans (FB) D 38 13 alternate g Daley's Gothic (FB) D 39 37 rectangular letters; bowls all extremely compressed Koliba (JY) T 40 34 Slight flip on tail of R; very distinctive g & e Napier (T26) D 40 39 Berlin Sans (FB) D 40 45 alternate a; alternate g Eidetic Modern (Psy) T 40 45 some downstrokes curved Koliba (JY) T 40 50 Slight flip on tail of R; very distinctive g & e TK Type (DM) T 61 47 Sirca (BD) D aeg1 ay5 rounded letterforms Sirca Alt (BD) D aeg1 ay5 squared letterforms Seebad (LL) D aeg24 ay37 Silvan Kaeser - 2002 G like l.c. g Collage (Man) D aeg4 ay33 rounded strokes Collage Hard (Man) D aeg4 ay33 square stroked Blutter (KH) D aeg4 ay37 curved I; l like L New Detroit (KH) D aeg4 ay37 Phino (KH) D aeg4 ay37 Koen Hachmang unusual s; curved i & l; stem of d curves left Phino Alt (KH) D aeg4 ay37 Koen Hachmang darker and more squared than Phino regular Orgovan (Suitcase) D G13 MR2 "all-caps; has Brush, Punk & Rounded versions" Orgovan Brush (Suitcase) D G13 MR2 "all-caps; has Brush, Punk & Rounded versions" Redeye Sans (About) D G3 MR9 Most letters like U.C. forms Atrament Alt (Suitcase) D G5 MR25 "some lower case use uppercase forms; rounded M, N, E, W" MDRD (Via) D G9 MR1 Antropos (Baar) D G9 MR2 Lutz Baar squarish; M considered type 2 Vere Dignum (LL) D G9 MR25 Phil Baines - 2002 has alternate and swash versions "DGWT = Designer's Guide to Web Type by K. Ziegler, N. Greco"